289—to John Murray

April 21, 1813.

Dear Sir,—I shall be in town by Sunday next, and will call and have some conversation on the subject of Westall's proposed designs. I

am

to sit to him for a picture at the request of a friend of mine

1

; and as Sanders's is not a good one, you will probably prefer the other. I wish you to have Sanders's taken down and sent to my lodgings immediately—before my arrival. I

hear

that a certain malicious publication on

Waltzing

2

is attributed to me. This report, I suppose, you will take care to contradict, as the Author, I am sure, will not like that I should wear his cap and bells. Mr. Hobhouse's quarto will be out immediately; pray send to the author for an early copy which I wish to take abroad with me.



Dear Sir, I am, yours very truly, B.

P. S.—I

see

the

Examiner

3

threatens some observations upon you next week. What can you have done to share the wrath which has heretofore been principally expended upon the Prince? I

presume

all your Scribleri will be drawn up in battle array in defence of the modern Tonson—Mr. Bucke

4

, for instance. Send in my account to Bennet Street, as I wish to settle it before sailing.


Footnote 1:

  This picture, exhibited at the Royal Academy in 1815, is now in the possession of the Baroness Burdett-Coutts.

return to footnote mark

Footnote 2:

  Byron's

Waltz

was published anonymously in the spring of 1813, not, apparently, by Murray, but by Sherwood, Neely, and Jones, Paternoster Row.

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Footnote 3:

  In the

Examiner

for April, 1813, occurs the paragraph: "A word or two on Mr. Murray's (the 'splendid bookseller') judgment in the Fine Arts—next week,

if room

."

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Footnote 4:

  Charles Bucke (1781-1846), a voluminous writer of verse, plays, and miscellaneous subjects, published, in 1813, his

Philosophy of Nature; or, the Influence of Scenery on the Mind and Heart

. He supported himself by his pen, and that indifferently. Byron seems to suggest that he was a dependent of Murray's. In 1817 he sent to the Committee of Management at Drury Lane his tragedy,

The Italians; or, the Fatal Accusation

, and it was accepted. In February, 1819, he withdrew the play, in consequence of a quarrel with Edmund Kean, and published it with extracts from the correspondence and a Preface, which sent it through numerous editions. The play itself was, after being withdrawn, played at Drury Lane, April 3, 1819. Bucke and his Preface were answered in

The Assailant Assailed

, and in

A Defence of Edmund Kean, Esq

. (both in 1819), and the opinion of the town condemned both him and his tragedy.


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List of Letters

Contents


Chapter VII—The Giaour and Bride of Abydos

May, 1812-December, 1813