Chap. XVIII.

Of the Imperial Palace, the Basilica; of the Palace of Constantine, and the House of Entrance nam’d Chalca.

NOT far from the Forum Augusteum, as Procopius writes, stood a Palace, the Statelyness and Magnificence of which the Reader may easily guess at from the Description he gives of the Vestibulum, or the House of Entrance into it. This Vestibulum is call’d the Chalca, which is made after this Manner. There are four strait Walls carried up to a great Height in a quadrangular Figure, from each Angle of which there projects a Stone Building curiously finish’d, which rises with the Wall from Top to Bottom, no ways intercepting the beauteous Prospect before you, but seeming rather to add to the Pleasure and Agreeableness of it. Above this Building are raised eight Arches, supporting the Roof, which rises into a globular Height most beautifully adorn’d. The Roof of it is not furnish’d with fine Paintings, but shines with Mosaick Work of all sorts of Colours, in the several Figures of Men, and other Kinds of Creatures. The Historian at large has explain’d the Designs, which are the Scenes of War, of Battles, and the Surrender of many Towns, both in Africa and Italy. Among other Curiosities are describ’d the Victories of Justinian under his General Belisarius, and his triumphant Return to the Emperor. The Courage and Chearfulness of his Army is expressed in a lively Manner. The General is figured in an humble Posture, as making an Offering to him of all the Kings, the Kingdoms, and other rich Spoils he had taken from the Enemy. In the Middle of the Work is represented the Emperor and his Empress Theodora in a pleasant gay Humour, celebrating a Festival in Honour of his Victory over the Goths and Vandals, and bringing great Numbers of Captives before him. The whole Senate is described round them, joining in the Celebration. They all look chearful and merry, smiling, and highly pleased with the Honour they have to attend the Emperor on so important an Occasion. I would here observe, that as Papinius in his Sylvæ calls the Basilica of Paulus, the Palace of Paulus, so the House, which Procopius calls Βασιλεῖον went by the Name both of the Basilica and the Palace. And I am confirm’d in this Opinion from Cedrinus, who says, That the Fire which happen’d in the Reign of Justinian, burnt down the Porch, or House of Entrance into the Basilica, the Basilica itself, and the brazen Covering of the Palace of Constantine the Great, which from that Time to this Day, is call’d the Chalca, because it is cover’d with Plates of Brass gilded. What Cedrinus calls the Basilica, Procopius, in his Book De Ædif. Justiniani, calls τὰ Βασιλεῖα, when speaking of the Fire above-mention’d, he tells us, That it consumed the Gate-houses τῶν Βασιλείων, and that in particular which was call’d Chalca: The same Writer adds a little lower, that the Emperor commanded Belisarius to go to the Chalca, and the other Houses of Entrance seated by it. From which Words it is observable, that Procopius seems to believe, that there were other Houses of Entrance into the Palace, though in the Beginning of this Chapter he mentions only the Chalca. It is my Opinion, that the House where the Emperor dwelt was first call’d the Basilica; that afterwards, when the great Houses, where the Merchants assembled for Trade and Commerce, were call’d Basilica, the Emperor’s House was call’d Βασιλεῖον; and, at last, the Palace. If there was any Difference between the Basilica and the Palace, yet the Basilica was either a part of the Palace, or built near to it, as the Reader may see in the Ancient Description of the Wards, which places the Augusteum and the Basilica in the same Ward. As this Treatise takes no Notice in this Ward either of a Palace or a Court, but only of a Basilica, it seems to intimate, that the Basilica was the Palace itself. But whether the Basilica was within or without the Palace, it is certain it was near it, because they were both destroy’d by Fire, by reason of their Vicinity to one another; and the Rules of Architecture prescribe, that it be built near a Market, which is always near the Palace; and that it be built warm, that the Merchants may manage their Business there in Winter Time, without any Molestation from the Severity of the Weather. Julius Pollux is of the same Opinion, who says, That the Stadia, the Hippodrom, the Senate-House, the Forum, the Court, the Imperial Portico, and the Tribunal, ought to stand near the Theatre. Cedrinus writes, that the beautiful Structure of the Chalca was built by one Ætherius a famous Architect, by the Command of the wife of Emperor Anastasius, as appears from a Greek Inscription upon it, which runs thus:

Upon a Building in the Palace, call’d Chalca.

Some modern Historians will have it, that Constantine the Great first built the Palace of Chalca. I should be inclinable to disbelieve them, but that I am induced to think it was so, when I observ’d the brazen Tyles gilded with Gold, resembling those of the Capitol, and a Forum of Old Rome, whose Buildings Constantine was proud to imitate, as near as he could. I could never learn, who it was who remov’d the Tyles of the Chalca; though it is not improbable, but that they were spoiled by the Fire. ’Tis related by Procopius, that Genseric plunder’d half the Roman Capitol of the gilded Plates of Brass that cover’d it, and that Constantine the Third, the Nephew of Heraclius, carry’d off the Silver Plates which were laid over the Pantheon. At a small Distance (on the South-west Side of the Church of St. Sophia) from the Water-Pipes of an Aqueduct running from a Conduit situate in the Forum Augusteum, where was erected the Pillar of Justinian, are still remaining seven Corinthian Pillars, on the Shaft of one of which is cut the Name of Constantine, with the Signal of the Cross he saw in the Heavens, with this Inscription, ἐν τούτῳ νίκα. The Basis and Shaft of these Pillars are buried, at the Bottom of them, under Ground, to the Depth of six Foot, which I discover’d, when I casually fell into the Foundation of the Walls, which were built between them. I could not see the Plinth of the Base of any of them, because it was cover’d with Earth; yet I perceiv’d the lowermost Tore, which was eight Digits in Thickness, and seven in Height. The Stone at the Bottom of the Shaft was nine Inches broad. Every Pillar is thirty Foot and six Digits high: In short, the whole Pillar, Capital and Pedestal, is about forty six Foot and a half in Height. The Bottom of the Shaft, which I measured just above the Stone it bears upon, is eighteen Foot in Circumference. The Pillars stand at the Distance of twenty Foot and ten Digits from each other. The Inhabitants say, that these Pillars stood within the Palace of Constantine; others say, that they formerly supported a Bridge, over which you passed, as you went from the Palace to the Church of St. Sophia. But there is nothing of Truth in either of these Opinions; for ’tis plain from what I observed before, that they stood in the Forum Augusteum. So that I am inclined to believe, that they supported the Arches of the Portico’s, in which the Statues of Constantine the Great, his Mother Helena, and other Statues were placed. From what I have said, the Reader may trace the Beauty and Grandeur of the Palaces at Constantinople, as well as from Zosimus, who says, that Constantine built some Palaces at Constantinople, little inferior to those of Rome. Eusebius reports, that he illustrated and adorn’d New Rome, and the Imperial Palace, in other respects, besides those I have mention’d, but that in the finest Buildings of his Palace, and in the Middle of all his gilded Roofs, he fix’d a Cross set with several Kinds of the richest Jewels, shining with massy Gold; intimating thereby, that he look’d upon the Cross as the Defence and Bulwark of his Government. St. Jerome tells us, That he stripp’d almost every City of its Curiosities and Ornaments, to adorn his New Rome. Eusebius also mentions the Statues of the Muses, which he caused to be fix’d up in his Palace. Sozomen writes, that by the Command of Constantine, all that was valuable in the Temples of the Ancients under his Government, and all the brazen Statues of the nicest Workmanship were brought to Constantinople, to beautify the City; which, he tells us, remain’d in the publick Ways, in the Hippodrom, and in the Palace, down to his Time. But not only Constantine the Great, but many other Emperors of Constantinople ravaged the whole World for the Decoration of this City. Among these was Constantine the Third, the Nephew of Heraclius, who plunder’d ancient Rome of all its brazen and Marble Statues, ship’d off all the costly Furniture of their Temples, and made more Havock there in the Space of seven Days, than the barbarous Nations did in the Space of two hundred and fifty Years; for so many Years was the Roman Empire in its Declension before that general Pillage. Iornandes, no indifferent Writer of the Getick History, reports, That Theodorick Prefect of Constantinople was adopted, and made Consul by the Emperor Zeno, who honour’d him with an Equestrian Statue, which was erected before the Palace. Tzetzes, in his various History, tells us, that even in his Time, the Head of Apollo, made by Phidias in the Likeness of the Sun, remain’d in the Palace. Suidas relates, that the Statue of Pulcheria, the Daughter of Arcadius, was placed in the Chalca, near the Walks of Ariadne the first Wife of Zeno, and that the Statues of Zeno himself were set up in the Imperial Gate-house of Chalca; as were also two other Statues on foot, erected upon a small Pillar, with Elegies inscrib’d upon them, composed by Secundus the Philosopher. I have seen in the History of no creditable Author, tho’ well known to the People of Constantinople, that Justinian erected on the left Side of the Chalca, seven Statues in Honour of his Relations, some of Brass, and some of Marble, and that he had also set up two Horses in the Nich before the Chalca, as also some gilded Heads of Women, in the frightful Likeness of Medusa; I could mention others, but that I do not much depend upon the Authority of the History. Suidas says, that in the Tribunal of the Palace stood the Statues of Eudoxia, and her Emperor Theodosius; of Marcian and Constantine, till the Time of Heraclius.