Dan Redman walked swiftly and quietly down the broad hallway toward a door lettered: A SECTION J. KIELGAARD DIRECTOR As Dan opened the door, his trained glance caught the brief reflection of a strange, strong-featured face, and a lithe, powerful, and unfamiliar physique. Dan accepted this unfamiliar reflection of himself as an actor accepts makeup. What puzzled him was the peculiar silent smoothness with which his hand turned the knob, while his shoulder braced firmly and easily against the open