Hindu Gods And Heroes
Lionel D. (Lionel David) Barnett
8 chapters
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8 chapters
PREFACE
PREFACE
The following pages are taken from the Forlong Bequest lectures which I delivered in March last at the School of Oriental Studies. Owing to exigencies of space, much of what I then said has been omitted here, especially with regard to the worship of Śiva; but enough remains to make clear my general view, which is that the religion of the Aryans of India was essentially a worship of spirits—sometimes spirits of real persons, sometimes imaginary spirits—and that, although in early days it provisio
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EDITORIAL NOTE
EDITORIAL NOTE
The object of the Editors of this series is a very definite one. They desire above all things that, in their humble way, these books shall be the ambassadors of goodwill and understanding between East and West—the old world of Thought and the new of Action. In this endeavour, and in their own sphere, they are but followers of the highest example in the land. They are confident that a deeper knowledge of the great ideals and lofty philosophy of Oriental thought may help to a revival of that true
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HINDU GODS AND HEROES
HINDU GODS AND HEROES
Let us imagine we are in a village of an Aryan tribe in the Eastern Panjab something more than thirty centuries ago. It is made up of a few large huts, round which cluster smaller ones, all of them rudely built, mostly of bamboo; in the other larger ones dwell the heads of families, while the smaller ones shelter their kinsfolk and followers, for this is a patriarchal world, and the housefather gives the law to his household. The people are mostly a comely folk, tall and clean-limbed, and rather
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CHAPTER III THE EPICS, AND LATER I. VISHṆU-KṚISHṆA
CHAPTER III THE EPICS, AND LATER I. VISHṆU-KṚISHṆA
We now enter upon an age in which the old gods, Indra and Brahmā, retire to the background, while Vishṇu and Śiva stand in the forefront of the stage. The Hindus are of the same opinion as the Latin poet: ferrea nunc aetas agitur . We are now living in an Iron Age, according to them; and it began in the year 3102 b.c. , shortly after the great war described in the Mahābhārata. The date 3102, I need hardly remark, is of no historical value, being based merely upon the theories of comparatively la
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II. Rāma
II. Rāma
Rāma is the hero of the Rāmāyaṇa, the great epic ascribed to Vālmīki, a poet who in course of time has passed from the realm of history into that of myth, like many other Hindus. The poem, as it has come down to us, contains seven books, which relate the following tale. Daśa-ratha, King of Ayōdhyā (now Ajodhya, near Faizabad), of the dynasty which claimed descent from the Sun-god, had no son, and therefore held the great Aśva-mēdha , or horse-sacrifice, as a result of which he obtained four sons
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III. Some Later Preachers
III. Some Later Preachers
With all its attractions and success, the new Kṛishṇaism did not everywhere overgrow the older stock upon which it had been engrafted. There were many places in which the early worship of Vishṇu and Vāsudēva remained almost unchanged. The new legends of Kṛishṇa's childhood might indeed be accepted in these centres of conservatism, but they made little difference in the spirit and form of the worship, which continued to follow the ancient order. In some of them the Bhagavad-gītā, Nārāyaṇīya, and
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IV. Brahmā and the Trimūrti
IV. Brahmā and the Trimūrti
Brahmā , the Creator, a masculine noun, must be carefully distinguished from the neuter Brahma , the abstract First Being. The latter comes first in the scale of existence, while the former appears at some distance further on as the creator of the material world (see above, p. 60 f.). In modern days Brahmā has been completely eclipsed by Vishṇu and Śiva and even by some minor deities, and has now only four temples dedicated to his exclusive worship. [34] But there was a time when he was a great
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CONCLUSION
CONCLUSION
Can we trace any uniform principle running through the bewildering variety of changes that we have observed? Consider the changes through which Vishṇu has passed. At the beginning a spirit of vaguely defined personality, he appears successively as a saviour-god, as the mystic saint Nārāyaṇa, as the epic warriors Kṛishṇa and Rāma, as a wanton blue-skinned herd-boy fluting and dancing amidst a crowd of wildly amorous women, and as the noble ideal of God preached by the great Maratha and Rāmānandī
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