Fresh Fields
John Burroughs
19 chapters
6 hour read
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19 chapters
FRESH FIELDS
FRESH FIELDS
BY JOHN BURROUGHS BOSTON AND NEW YORK HOUGHTON, MIFFLIN AND COMPANY The Riverside Press, Cambridge 1896 Copyright, 1884, 1895, By JOHN BURROUGHS . All rights reserved. The Riverside Press, Cambridge, Mass., U. S. A. Electrotyped and Printed by H. O. Houghton & Co. FRESH FIELDS...
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I
I
The first whiff we got of transatlantic nature was the peaty breath of the peasant chimneys of Ireland while we were yet many miles at sea. What a homelike, fireside smell it was! it seemed to make something long forgotten stir within one. One recognizes it as a characteristic Old World odor, it savors so of the soil and of a ripe and mellow antiquity. I know no other fuel that yields so agreeable a perfume as peat. Unless the Irishman in one has dwindled to a very small fraction, he will be pre
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II
II
I had come to Great Britain less to see the noted sights and places than to observe the general face of nature. I wanted to steep myself long and well in that mellow, benign landscape, and put to further tests the impressions I had got of it during a hasty visit one autumn, eleven years before. Hence I was mainly intent on roaming about the country, it mattered little where. Like an attic stored with relics and heirlooms, there is no place in England where you cannot instantly turn from nature t
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III
III
England is like the margin of a spring-run, near its source,—always green, always cool, always moist, comparatively free from frost in winter and from drought in summer. The spring-run to which it owes this character is the Gulf Stream, which brings out of the pit of the southern ocean what the fountain brings out of the bowels of the earth—a uniform temperature, low but constant; a fog in winter, a cloud in summer. The spirit of gentle, fertilizing summer rain perhaps never took such tangible a
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IV
IV
It is characteristic of nature in England that most of the stone with which the old bridges, churches, and cathedrals are built is so soft that people carve their initials in it with their jack-knives, as we do in the bark of a tree or in a piece of pine timber. At Stratford a card has been posted upon the outside of the old church, imploring visitors to refrain from this barbarous practice. One sees names and dates there more than a century old. Often, in leaning over the parapets of the bridge
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II ENGLISH WOODS: A CONTRAST
II ENGLISH WOODS: A CONTRAST
One cannot well overpraise the rural and pastoral beauty of England—the beauty of her fields, parks, downs, holms. In England you shall see at its full that of which you catch only glimpses in this country, the broad, beaming, hospitable beauty of a perfectly cultivated landscape. Indeed, to see England is to take one's fill of the orderly, the permanent, the well-kept in the works of man, and of the continent, the beneficent, the uniform, in the works of nature. It is to see the most perfect bi
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III IN CARLYLE'S COUNTRY
III IN CARLYLE'S COUNTRY
In crossing the sea a second time, I was more curious to see Scotland than England, partly because I had had a good glimpse of the latter country eleven years before, but largely because I had always preferred the Scotch people to the English (I had seen and known more of them in my youth), and especially because just then I was much absorbed with Carlyle, and wanted to see with my own eyes the land and the race from which he sprang. I suspect anyhow I am more strongly attracted by the Celt than
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IV A HUNT FOR THE NIGHTINGALE
IV A HUNT FOR THE NIGHTINGALE
While I lingered away the latter half of May in Scotland, and the first half of June in northern England, and finally in London, intent on seeing the land leisurely and as the mood suited, the thought never occurred to me that I was in danger of missing one of the chief pleasures I had promised myself in crossing the Atlantic, namely, the hearing of the song of the nightingale. Hence, when on the 17th of June I found myself down among the copses near Hazlemere, on the borders of Surrey and Susse
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V ENGLISH AND AMERICAN SONG-BIRDS
V ENGLISH AND AMERICAN SONG-BIRDS
The charm of the songs of birds, like that of a nation's popular airs and hymns, is so little a question of intrinsic musical excellence, and so largely a matter of association and suggestion, or of subjective coloring and reminiscence, that it is perhaps entirely natural for every people to think their own feathered songsters the best. What music would there not be to the homesick American, in Europe, in the simple and plaintive note of our bluebird, or the ditty of our song sparrow, or the hon
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VI IMPRESSIONS OF SOME ENGLISH BIRDS
VI IMPRESSIONS OF SOME ENGLISH BIRDS
The foregoing chapter was written previous to my last visit to England, and when my knowledge of the British song-birds was mainly from report, and not from personal observation. I had heard the skylark, and briefly the robin, and snatches of a few other bird strains, while in that country in the autumn of 1871; but of the full spring and summer chorus, and the merits of the individual songsters, I knew little except through such writers as White, Broderip, and Barrington. Hence, when I found my
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VII IN WORDSWORTH'S COUNTRY
VII IN WORDSWORTH'S COUNTRY
No other English poet had touched me quite so closely as Wordsworth. All cultivated men delight in Shakespeare; he is the universal genius; but Wordsworth's poetry has more the character of a message, and a message special and personal, to a comparatively small circle of readers. He stands for a particular phase of human thought and experience, and his service to certain minds is like an initiation into a new order of truths. Note what a revelation he was to the logical mind of John Stuart Mill.
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VIII A GLANCE AT BRITISH WILD FLOWERS
VIII A GLANCE AT BRITISH WILD FLOWERS
The first flower I plucked in Britain was the daisy, in one of the parks in Glasgow. The sward had recently been mown, but the daisies dotted it as thickly as stars. It is a flower almost as common as the grass; find a square foot of greensward anywhere, and you are pretty sure to find a daisy, probably several of them. Bairnwort—child's flower—it is called in some parts, and its expression is truly infantile. It is the favorite of all the poets, and when one comes to see it he does not think it
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I
I
In crossing the Atlantic from the New World to the Old, one of the first intimations the traveler has that he is nearing a strange shore, and an old and populous one, is the greater boldness and familiarity of the swarms of sea-gulls that begin to hover in the wake of the ship, and dive and contend with each other for the fragments and parings thrown overboard from the pantry. They have at once a different air and manner from those we left behind. How bold and tireless they are, pursuing the ves
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II
II
A fertile race, a fertile nature, swarm in these islands. The climate is a kind of prolonged May, and a vernal lustiness and raciness are characteristic of all the prevailing forms. Life is rank and full. Reproduction is easy. There is plenty of sap, plenty of blood. The salt of the sea prickles in the veins; the spawning waters have imparted their virility to the land. 'Tis a tropical and an arctic nature combined, the fruitfulness of one and the activity of the other. The national poet is Shak
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I
I
While in London I took a bright Sunday afternoon to visit Chelsea, and walk along Cheyne Row and look upon the house in which Carlyle passed nearly fifty years of his life, and in which he died. Many times I paced to and fro. I had been there eleven years before, but it was on a dark, rainy night, and I had brought away no image of the street or house. The place now had a more humble and neglected look than I expected to see; nothing that suggested it had ever been the abode of the foremost lite
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II
II
Carlyle stands at all times, at all places, for the hero, for power of will, authority of character, adequacy, and obligation of personal force. He offsets completely, and with the emphasis of a clap of thunder, the modern leveling impersonal tendencies, the "manifest destinies," the blind mass movements, the merging of the one in the many, the rule of majorities, the no-government, no-leadership, laissez-faire principle. Unless there was evidence of a potent, supreme, human will guiding affairs
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III
III
Caroline Fox, in her "Memoirs of Old Friends," reports a smart saying about Carlyle, current in her time, which has been current in some form or other ever since; namely, that he had a large capital of faith uninvested,—carried it about him as ready money, I suppose, working capital. It is certainly true that it was not locked up in any of the various social and religious safe-deposits. He employed a vast deal of it in his daily work. It took not a little to set Cromwell up, and Frederick. Indee
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IV
IV
Carlyle had an enormous egoism, but to do the work he felt called on to do, to offset and withstand the huge, roaring, on-rushing modern world as he did, required an enormous egoism. In more senses than one do the words applied to the old prophet apply to him: "For, behold, I have made thee this day a defenced city, and an iron pillar, and brazen walls against the whole land, against the kings of Judah, against the princes thereof, against the priests thereof, and against the people of the land.
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XI AT SEA
XI AT SEA
One does not seem really to have got out-of-doors till he goes to sea. On the land he is shut in by the hills, or the forests, or more or less housed by the sharp lines of his horizon. But at sea he finds the roof taken off, the walls taken down; he is no longer in the hollow of the earth's hand, but upon its naked back, with nothing between him and the immensities. He is in the great cosmic out-of-doors, as much so as if voyaging to the moon or to Mars. An astronomic solitude and vacuity surrou
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