Philosophic Nights In Paris
Remy de Gourmont
17 chapters
2 hour read
Selected Chapters
17 chapters
Introduction
Introduction
Helvétius and the Philosophy of Happiness The Player's Illusion The Beyond The Question of Free Will The Insurrection of the Vertebrates The Pessimism of Leopardi The Colors of Life The Art of Seeing The Rivers of France The Fall of Days Insinuations Footprints on the Sand...
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INTRODUCTION
INTRODUCTION
The importance of Remy de Gourmont to the universal world of thought is now beginning to be recognized among thinkers of every continent. During his own life he was a figure apart and aloof even from his confrères; his reputation was a matter more of intensity than of extensive acclaim, although subtly it made its way, as did that of the Symbolist school in general, to many nations. Now, however, he is beginning to receive that wider recognition which during his life he actually shunned. He belo
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II
II
Gourmont's literary career was particularly identified with the notable French Review, the Mercure de France . How he came to join the staff of that organ is interestingly recounted by Louis Dumur, in the same obituary note from which the above quotation was translated. Incidentally we obtain a glimpse of the young man just as he was emerging into note. "The great writer whom we have just lost," wrote M. Dumur, "was to us more than a friend, better than a master: he seemed to us the most complet
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III
III
Despite the fact that his funeral services occurred during the height of the war—he was born on April 4, 1858 and died on September 27, 1915—they were attended by a numerous gathering of mourners who, in their very cosmopolitan nature seemed to symbolize the universal influence of the departed genius. Tributes were paid by M. Henri de Régnier, of the French Academy, who spoke for the Mercure de France , by M. Georges Lecomte, President of the Société des Gens de Lettres, who spoke in the name of
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IV
IV
The complete works of Remy de Gourmont cover almost every form of intellectual activity. He seems equally at home in criticism, in creative effort, "novel, play, poem," philosophy (Nietzsche owes much to him for his intellectual acclimatization in France), in the transvaluation of moral values, in social criticism, in certain aspects of science, in philology, in the renovation of rhetoric. "In his divers attitudes and in his varied researches," says Dumur, "he was the expression of our instable
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HELVÉTIUS AND THE PHILOSOPHY OF HAPPINESS
HELVÉTIUS AND THE PHILOSOPHY OF HAPPINESS
"M. Helvétius, in his youth," says Chamfort, "was as handsome as love itself. One evening, as he was seated very peacefully before an open fire, at the side of Mile. Gaussin, a renowned financier came and whispered into this actress's ear, loud enough for Helvétius to hear: 'Mademoiselle, would it be agreeable to you to accept six hundred louis in exchange for a few favors?'—'Monsieur,' she replied, loud enough to be heard by Helvétius, and pointing to him at the same time, 'I'll give you two hu
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THE PLAYER'S ILLUSION
THE PLAYER'S ILLUSION
The player at games of skill is always tempted to attribute to himself a capacity superior to his real power. Such is the theorem advanced in a curious study, half psychological and half algebraic, by an Algerian engineer, Monsieur V. Cornetz. The player's desire to win, the recollection of his past successes, his confidence in himself, necessarily cause him, at a given moment, to think himself stronger than he really is. So that, if he wins, he is not surprised; but if he loses, he will tell hi
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THE BEYOND
THE BEYOND
Much is being said of the beyond in these days, perhaps because people no longer believe in it. Then there is Eusapia Palladino, whose performances, it seems, favor mysterious beliefs. Tables dance and tilt, violins play by themselves, and this puts perspicacious folk on the road to the beyond. Huysmans was converted in just this way. It is far easier to confuse the human reason than the laws of gravity. Nevertheless, what is the beyond? I believe only in that country which I can locate. Where d
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THE QUESTION OF FREE WILL
THE QUESTION OF FREE WILL
Those physicians were wise who, at a recent congress, voted to refuse making any statement upon the problems of responsibility propounded to them by the courts. What does responsibility mean? Where does it begin? What are its boundaries? One finds himself here not in the presence of a question of simple legal medicine; to speak of responsibility is to speak of free will, and to speak of free will is to be plunged into the fundamental mysteries of human philosophy. These mysteries, to tell the tr
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THE INSURRECTION OF THE VERTEBRATES
THE INSURRECTION OF THE VERTEBRATES
It is well known how the spiritualists tried to capture Pasteur, because his theories, denying spontaneous generation, seemed to them his consecration of the old dogma of a Creator. Pasteur never professed such ideas; he limited himself to pursuing brilliantly his profession as a scientist. It was not without a feeling of sadness that, pestered by the admiration of a too pious gentry, he wrote to Sainte-Beuve, I believe: "Let us continue our labors, without giving heed to the philosophic or reli
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THE PESSIMISM OF LEOPARDI
THE PESSIMISM OF LEOPARDI
Leopardi has never been widely read in France. While Schopenhauer has achieved a certain literary popularity, Leopardi has remained, even for scholars, in the shade. This is due in large measure to the mediocrity of his translators and his commentators.... Leopardi's poetry is difficult to enjoy. M. Turiello says that it is obscure even to Italians of the present generation. It is true that Leopardi is somewhat addicted to archaism and that, moreover, the Italian language has since his day under
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II
II
"The three greatest pessimists who ever existed," said Schopenhauer one day,—"that is to say, Leopardi, Byron and myself,—were in Italy during the same year, 1818-1819, and did not make one another's acquaintance!" One of these "great pessimists," Leopardi, happened just at this time to be writing a little dialogue that might well be reprinted at the beginning of every year. It would always seem new. Life is bad, says Leopardi, and here is the proof: nobody has ever found a man who would wish to
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THE COLORS OF LIFE
THE COLORS OF LIFE
It was formerly the custom in such provinces as Normandy, for example, or Britanny, to consecrate children to the color blue. The vow was limited to a certain number of years,—seven, fourteen, or twenty-one,—probably because of the virtues of the number seven, as considerable as they are mysterious. Most often the final figure was decided upon,—the age of reason, says the Church, which considers it never too soon to place its hand upon the conscience and the will. It was charming for the little
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THE ART OF SEEING
THE ART OF SEEING
Mon voyage dépeint Vous sera d'un plaisir extrême. Je dirai: J'étais là; telle chose m'advint: Vous y croirez être vous-même. (The tale of my travels will be extremely pleasant to you, I'll say: "I was there; such and such things happened to me." You'll imagine that you're there yourself.) "Alas!" the loving dove would have replied, if he had taken courses under M. Claparède, professor of psychology at the University of Geneva. "Alas! What faith may I have in your testimony? You will tell me wha
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THE RIVERS OF FRANCE
THE RIVERS OF FRANCE
A river is a beautiful thing. It runs along, its sings, it laughs, it glints in the sunlight and becomes darker beneath the trees. Sometimes one may see the bottom, where there are stones and grasses, while at times it is a sombre abyss that fills one with shudders. The river comes from afar and goes no one knows whither. True, people say that it has a beginning and that its source lies yonder, in the mountains, but that is not at all so certain. What is a source? When you see a river, it is alr
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INSINUATIONS
INSINUATIONS
Esthetic Morality . Perhaps we ought to renounce such distinctions as beautiful and ugly, good and bad, good and evil, and so on, and consider in life's acts only the curve of movements. Thus morality and esthetics would blend. Already men of more than average culture consider the subject of a painting only to judge whether the painter has submitted to the same logic the subject of the picture itself, the composition that compasses it, the color that unites it to the vital milieu. A subject, in
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FOOTPRINTS ON THE SAND
FOOTPRINTS ON THE SAND
Posterity is a schoolboy who is condemned to learn a hundred verses by heart. He learns ten of them and mumbles a few syllables of the rest. The ten are glory; the rest is literary history. Traditions? Of course, tradition. But do you not believe that there is a beginning to everything, even to tradition? Anti-clericalism works for the benefit of the dissident sect. In England, religious radicalism recruits Catholics; in France it recruits Protestants. Man can no more see the world than a fish c
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