Confessions And Criticisms
Julian Hawthorne
11 chapters
5 hour read
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11 chapters
CONFESSIONS AND CRITICISMS. CHAPTER I.
CONFESSIONS AND CRITICISMS. CHAPTER I.
In 1869, when I was about twenty-three years old, I sent a couple of sonnets to the revived Putnam's Magazine . At that period I had no intention of becoming a professional writer: I was studying civil engineering at the Polytechnic School in Dresden, Saxony. Years before, I had received parental warnings—unnecessary, as I thought—against writing for a living. During the next two years, however, when I was acting as hydrographic engineer in the New York Dock Department, I amused myself by writin
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CHAPTER II
CHAPTER II
The novel of our times is susceptible of many definitions. The American publishers of Railway libraries think that it is forty or fifty double-column pages of pirated English fiction. Readers of the "New York Ledger" suppose it to be a romance of angelic virtue at last triumphant over satanic villany. The aristocracy of culture describe it as a philosophic analysis of human character and motives, with an agnostic bias on the analyst's part. Schoolboys are under the impression that it is a tale o
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CHAPTER III.
CHAPTER III.
Contemporary criticism will have it that, in order to create an American Literature, we must use American materials. The term "Literature" has, no doubt, come to be employed in a loose sense. The London Saturday Review has (or used to have until lately) a monthly two-column article devoted to what it called "American Literature," three-fourths of which were devoted to an examination of volumes of State Histories, Statistical Digests, Records of the Census, and other such works as were never, bef
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CHAPTER IV.
CHAPTER IV.
Literature is that quality in books which affords delight and nourishment to the soul. But this is a scientific and skeptical age, insomuch that one hardly ventures to take for granted that every reader will know what his soul is. It is not the intellect, though it gives the intellect light; nor the emotions, though they receive their warmth from it. It is the most catholic and constant element of human nature, yet it bears no direct part in the practical affairs of life; it does not struggle, i
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CHAPTER V.
CHAPTER V.
The producers of modern fiction, who have acquiesced more or less completely in the theory of art for art's sake, are not, perhaps, aware that a large class of persons still exist who hold fiction to be unjustifiable, save in so far as the author has it at heart not only (or chiefly) to adorn the tale, but also (and first of all) to point the moral. The novelist, in other words, should so mould the characters and shape the plot of his imaginary drama as to vindicate the wisdom and integrity of t
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CHAPTER VI.
CHAPTER VI.
During the winter of 1879, when I was in London, it was my fortune to attend, a social meeting of literary men at the rooms of a certain eminent publisher. The rooms were full of tobacco-smoke and talk, amid which were discernible, on all sides, the figures and faces of men more or less renowned in the world of books. Most noticeable among these personages was a broad-shouldered, sturdy man, of middle height, with a ruddy countenance, and snow-white tempestuous beard and hair. He wore large, gol
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CHAPTER VII.
CHAPTER VII.
Before criticising Mr. Mallock's little essay, let us summarize its contents. The author begins with an analysis of the aims, the principles, and the "pseudo-science" of modern Democracy. Having established the evil and destructive character of these things, he sets himself to show by logical argument that the present state of social inequality, which Democrats wish to disturb, is a natural and wholesome state; that the continuance of civilization is dependent upon it; and that it could only be
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CHAPTER VIII.
CHAPTER VIII.
On an accessible book-shelf in my library, stand side by side four volumes whose contents I once knew by heart, and which, after the lapse of twenty years, are yet tolerably distinct in my memory. These are stoutly bound in purple muslin, with a stamp, of Persian design apparently, on the centre of each cover. They are stained and worn, and the backs have faded to a brownish hue, from exposure to the light, and a leaf in one of the volumes has been torn across; but the paper and the sewing and t
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CHAPTER IX.
CHAPTER IX.
It is not with Americans as with other peoples. Our position is more vague and difficult, because it is not primarily related to the senses. I can easily find out where England or Prussia is, and recognize an Englishman or German when we meet; but we Americans are not, to the same extent as these, limited by geographical and physical boundaries. The origin of America was not like that of the European nations; the latter were born after the flesh, but we after the spirit. It is of the first conse
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CHAPTER X.
CHAPTER X.
Human nature enjoys nothing better than to wonder—to be mystified; and it thanks and remembers those who have the skill to gratify this craving. The magicians of old knew that truth and conducted themselves accordingly. But our modern wonder-workers fail of their due influence, because, not content to perform their marvels, they go on to explain them. Merlin and Roger Bacon were greater public benefactors than Morse and Edison. Man is—and he always has been and will be—something else besides a p
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CHAPTER XI.
CHAPTER XI.
The hunter and the sportsman are two very different persons. The hunter pursues animals because he loves them and sympathizes with them, and kills them as the champions of chivalry used to slay one another—courteously, fairly, and with admiration and respect. To stalk and shoot the elk and the grizzly bear is to him what wooing and winning a beloved maiden would be to another man. Far from being the foe or exterminator of the game he follows, he, more than any one else, is their friend, vindicat
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