Spirit And Music
H. Ernest (Harry Ernest) Hunt
13 chapters
3 hour read
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13 chapters
SPIRIT AND MUSIC
SPIRIT AND MUSIC
By the same Author NERVE CONTROL SELF TRAINING A BOOK OF AUTO-SUGGESTIONS THE INFLUENCE OF THOUGHT A MANUAL OF HYPNOTISM THE HIDDEN SELF POINTS ON PRACTISING Spirit and Music...
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H. ERNEST HUNT
H. ERNEST HUNT
Author of Nerve Control, Self Training, &c., &c.; Lecturer in Psychology at the Training School for Music Teachers, The Metropolitan Academy of Music, The Kensington School of Music, &c., London LONDON: KEGAN PAUL, TRENCH, TRUBNER & CO., LTD. J. CURWEN & SONS, LTD. NEW YORK: E. P. DUTTON & CO. 1922 Printed in Great Britain by St. Stephen's Printing Works, Bristol....
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Chapter I
Chapter I
THE SPIRIT OF MUSIC "Art is the Manifestation of the Spiritual by means of the Material" Newlandsmith Music is a part of life. It is not merely an accomplishment or a hobby, nor yet a means of relaxation from the strenuous business of earning a living. It is not an addendum or an excrescence: it is an actual part of the fabric of life itself. The object of these pages will be to show how closely Music, and indeed Art in general, has woven itself into the pattern of our lives, and how intimately
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Chapter II
Chapter II
THE PLACE OF MUSIC IN LIFE "Music is not merely a matter for the cultured: it is inextricably bound up in the bundle of common life" Scholes Music, as we have seen, is implanted in the very nature of things, and it is as deeply embedded in our lives. Was there ever a time when no man sang? As a matter of evolutionary accuracy, yes, there probably was such a time. But, looking at it in a commonsense way the answer is No. To-day we find that savages and aborigines, who are still in the childhood s
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Chapter III
Chapter III
THE EXPRESSION OF LIFE "Music is the mediator between the spiritual and the sensual life" Beethoven If Music be a means of expression, we must needs ask ourselves what it expresses. It is entirely insufficient to accept music as sequence or a combination of tones that "sound nice." It would be just as reasonable to regard a meal as something that tastes nice, whereas of course the meal has a meaning and a use beyond mere taste: its purpose is to sustain life, and the question of taste is merely
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Chapter IV
Chapter IV
SPIRIT A LIVING FACT "Is Music the inarticulate Speech of the Angels on earth? Or a voice of the Undiscovered Bringing great truths to the birth?" F. W. Faber Life is a diversity in unity, and the expression in countless different forms and shapes of the one fundamental reality, spirit. We ourselves are comprehended in this definition, being part of this fundamental spirit, and claiming thereby our divinity. Music also, as a part of life, is subject to the same explanation: and thus the spirit o
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Chapter V
Chapter V
THE CONDITIONS OF INSPIRATION "The greatest Masterpieces in Music will be found to contain sensuous, emotional, and rational factors, and something beside: some divine element of life by which they are animated and inspired" W. H. Hadow It may be interesting for a little space to consider the conditions under which Inspiration operates, for, like any other faculty, it is subject to the control of law. We have already emphasised the universality of vibration and the call of like to like, but the
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Chapter VI
Chapter VI
THE INTERPRETER "I like joy, for it is life. I preach joy, for it alone gives the power of creating useful and lasting work" Jaques Dalcroze There are, roughly speaking, three classes of interpreters in Music: performers or executants, composers, and teachers. The function of each of these is, by a special sensitiveness, to apprehend the message of spirit, and then, by their own technique and in their own particular way, to pass it on for the benefit of others. In the body the nervous system, wh
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Chapter VII
Chapter VII
THE TEACHER "The teachers of this country have its future in their hands" William James Ideas on the subject of the teaching of Music are changing at such a rapid rate to-day that the position of the teacher as an interpreter may well receive some consideration. The study of psychology and the many new discoveries in the realm of mind bid fair to revolutionise our conception of teaching: the old standards are fast becoming obsolete. Once the idea of education was more or less to get something in
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Chapter VIII
Chapter VIII
THE SOUL OF SONG "All the hearts of men were softened By the pathos of his music: For he sang of peace and freedom, Sang of beauty, love, and longing: Sang of death, and life undying In the Islands of the Blessed, In the Kingdom of Ponemah, In the land of the Hereafter." Longfellow The power to sing is innate in practically everybody, and the number of people who are actually incapable of any musical expression through the voice is really very small. Suggestion plays an important part in this ma
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Chapter IX
Chapter IX
MUSIC AND EDUCATION "Music is not only a source of noble pleasure—everyone admits that, at any rate in theory—it is a form of intellectual and spiritual training with which we really cannot afford to dispense" Sir Henry Hadow We may agree that education consists in the bringing of the latent possibilities of the individual into action, and one of the most important parts in the process of education is played by memory. The fact that memory places on record our first impression of a thing is the
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Chapter X
Chapter X
THE ARTISTIC TEMPERAMENT "Conventions mean very little to the artist, because conventionality arises either from mental laziness or fear of what others will say and think. Moreover the true genius must ever have the capacity to feel deeper love and emotions than the man in the street" Eaglefield Hull We frequently hear the "artistic temperament" referred to in ordinary conversation as if it were some kind of a vice, a mental aberration or a disease: and it is certainly doubtful whether those who
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Chapter XI
Chapter XI
"PURE MUSIC" "We understand but little of music. The greatest masterpiece is but a signpost to that infinite realm of harmony, in which music is for ever included, and to the joy which awaits in its eternal unfoldment" F. L. Rawson The point has been raised in discussion—"Is there such a thing as pure music?" The question involved is whether music must necessarily convey any emotional message, or whether it may just be a concourse of sweet sounds signifying nothing. There are those who are prepa
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