The Lighter Side Of English Life
Frank Frankfort Moore
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57 chapters
CHAPTER ONE—THE VILLAGE
CHAPTER ONE—THE VILLAGE
O NE MORNING A FEW MONTHS AGO A foreigner under the influence of an aeroplane descended somewhat hurriedly in a broad and—as he ascertained—a soft meadow in Nethershire; and while he was picking up his matches preparatory to lighting his cigarette—he has always a cigarette in his waistcoat pocket, for a man with a Kodak may be lurking behind the nearest tree—an agricultural labourer on his way to his work looked over the hedge at him. The foreign person noticed him, and after trying him in vain
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I—THE ABORIGINES
I—THE ABORIGINES
It was the Rector who told me the story, adding in regard to the labourer—— “Isn't that just like Thurswell—fancying that a Czech who had just crossed the Channel, and believed himself to be in Belgium, should know all about Thurswell and its Bleybar Lane?” I thought that it was very like Thurswell indeed, and afterwards I made it still more like by talking to the agricultural labourer himself about the incident. “Ay, he spoke gibberish with a foreign accent, and I told him plain enough, when he
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II.—THE CENTENARIANS
II.—THE CENTENARIANS
M ore recently still another busybody endeavoured to deprive the village of the reputation which it had long enjoyed as the centre of English longevity. Now it would be impossible for any one to study the dates on the tombstones in the churchyard without noticing how great was the number of centenarians who died within the first fifty years of the nineteenth century in the parish of Thurswell. There were apparently eighteen men and fourteen women interred after passing their hundredth year; inde
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III. THE POINT OF VIEW
III. THE POINT OF VIEW
O n the subject of age, I may say that it has always seemed to me that it is the aim of most people to appear as young as possible—and perhaps even more so—for as long as possible—and perhaps even longer; but then it seems gradually to dawn upon them that there may be as much distinction attached to age as to youth, and those who have been trying to pass themselves off as much younger than they really are turn their attention in the other direction and endeavour to make themselves out to be much
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I.—THE GENERAL
I.—THE GENERAL
O N A VERY DIFFERENT PLANE OF INterest I regard my experience of two delightful old people whom I found living, the one a mile or two on the Brindlington side of Thurswell, the other on the Broadminster side, “where the Dean lives.” The former is an old general who once commanded a regiment of Sikhs and spent fifty years in India. He is now eighty-three years of age, and has two sons with the rank of colonel, a grandson who is a captain of Sappers, and two who are lieutenants in the navy. The ol
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II.—THE DEAR OLD LADY
II.—THE DEAR OLD LADY
T he aged lady who lives in a lovely old moated house a few miles out of Thurswell is one of the youngest people I ever met. She is the mother of two distinguished sons and the grandmother of a peeress. She takes an interest in everything that is going on in various parts of the world, and even points out the mistakes made by the leader-writers in the London papers—some of the mistakes. But she does so quite cheerfully and without any animus. She still sketches en plein air , and in her drawings
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I.—THE PILLARS OF SOCIETY
I.—THE PILLARS OF SOCIETY
T HURSWELL IS UNDOUBTEDLY AN IDeal English village situated in the midst of an agricultural county, and far away from the unhealthy and demoralising influences of trade. It prides itself on being “select”—so does every other English village, even when it lies deep embowered among the striking scenery of a coal-mining district. But Thurswell is really “select.” A strange family may come to one of the best houses—one of the four or five that have entrance gates with lodges and carriage drives—and
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II.—THE SHATTERING OF THE PILLARS
II.—THE SHATTERING OF THE PILLARS
T he facts of the matter are simple enough in their way. Each of the ladies occupies a small house of her own, fully, and not semi-detached, with a small patch of green in front and a small garden at the back; but the combined needs of front and back are not considered sufficiently great to take up all the time of a gardener working six days in the week during the summer. There is enough work, however, to take up three days of the six, with window-cleaning thrown in, in slack seasons. As the con
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III.—FLOWERS AND FRIENDSHIPS
III.—FLOWERS AND FRIENDSHIPS
T he instance just recorded of horticulture playing a prominent part in the breaking up of friendships is by no means unique. When one comes to think of it, one cannot be surprised that as the earliest serious quarrel recorded in the history of the world was over a purely horticultural question—namely, whether or not the qualities of beneficent nutrition attributed to a certain fruit had been accurately analysed—there should be many differences of opinion among the best of friends on the same su
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I.—LESSEES FROM THE MIDLANDS
I.—LESSEES FROM THE MIDLANDS
I T WAS THE REPRESENTATIVE OF THE second generation of one of the shirt-sleeves families of the midlands who took a lease of Nethershire Castle, the finest mansion in our neighbourhood. The Court of Chancery had decreed that it might be let for a term of years, the length of which was fixed by certain Commissioners in Lunacy, for Sir Ralph Richards had been in the care of a specialist in mental diseases for a long time, and it was understood that there were little hopes of his ever being able to
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II.—THE LEGENDS OF THE COUNTRY HOUSE
II.—THE LEGENDS OF THE COUNTRY HOUSE
O n the subject of great houses, I may venture to say, it has always seemed to me to show a singular lack of imagination on the part of some one that one legend should be forced to do duty for so large a group, and this legend so devoid of any stimulating quality. It seems to me that the legends of the country houses of England are, like all Gaul, divided into three parts. All through the south one is shown the room in the mansion in which Queen Elizabeth slept. There is scarcely a Tudor house i
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III.—FATE OF THE FAMILY PORTRAITS
III.—FATE OF THE FAMILY PORTRAITS
I n connection with family traditions and family portraits there are bound to be some grimly humorous episodes with the lapse of time, owing to the exactions of those Chancellors of the Exchequer who have held office since the creation of the Death Duties, as they are called. When a man with no ready money of his own inherits an estate that has not paid its expenses for many years, and a splendid mansion containing about fifty pictures, which, according to the most recent auction-room prices, ma
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I.—THE STRANGERS
I.—THE STRANGERS
W HEN THE LATE MR. W. P. FRITH WAS AT the height of his fame, and engravings of his “Derby Day” and “The Railway Station” contested for prominence on the flowery flock-papered walls of many drawing-rooms with Landseers “Monarch of the Glen,” he went to pay a visit to his daughter in a southern county, and she has placed it on record that when she mentioned his name to the leaders of Society in various localities it conveyed nothing to them. Why should it convey anything to them? He did nothing b
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II.—THE INSECT AND THE MAMMOTH
II.—THE INSECT AND THE MAMMOTH
A more amusing example still of the insect being taken for the mammoth was given to me by the person whose mammoth-like proportions (intellectually) were neglected because all eyes were directed upon the passage of an insignificant local insect across the line of vision. He was a literary man whose name is known and respected in every part of the world—not merely in that narrow republic known as the world of letters. He was staying for a week at the house of a friend, when a lady, who was gettin
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I.—IN THE HIGH STREET
I.—IN THE HIGH STREET
I F OUR THURSWELL IS A TYPICAL English village, assuredly Mallingham is a typical country town, only inclining to the picturesque side rather than the sordid. Like most picturesque towns, it is more highly appreciated by strangers than by its own inhabitants. Its one long street crawls along a ridge of the Downs, and from the lower level of the road that skirts this ridge and meanders among fat farms and luscious meadows, with an old Norman church here and there embowered in immemorial elms and
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II.—PRECIOUS PANELLING
II.—PRECIOUS PANELLING
S ome time ago a mason, while doing some repairs in a room in a very old timbered house, disclosed some oak panelling which probably belonged to the sixteenth century. The news of the discovery went abroad, and a collector of “antiques” in the neighbourhood bought the woodwork for a hundred pounds—far more than it was worth, of course, but that is nothing; the effect of the find and of the sale was disastrous to the occupants of other old houses, for they forthwith summoned masons and carpenters
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III.—THE AMENITIES OF THE HIGH STREET
III.—THE AMENITIES OF THE HIGH STREET
E very here and there between the shops in the High Street is a house that has survived the request—it never amounts to a demand in Mallingham—for “business premises.” Quite unpretentious is the appearance of all these houses, but the front door opens upon a hall that is a hall, and not a mere passage to a narrow staircase. Admirably proportioned rooms are to be found on every floor, and usually a door at the farther end of the hall admits one to a garden, and not a mere patch of green. Here are
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IV.—THE TWO ICONOCLASTS
IV.—THE TWO ICONOCLASTS
S ome four or five miles away are the imposing ruins of a great abbey of the Franciscans. It had once been of so great importance in the land that when the archabbey wrecker decreed that it should be demolished, he sent his most trustworthy housebreaker to carry out his orders. Now everybody of education in Mallingham can tell you all that is known about the venerable ruin, and it is the pride of the town that it should be so closely connected with the history of the Abbey; but I have never yet
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V.—THE SOCIAL “SETS”
V.—THE SOCIAL “SETS”
O f course there is in Mallingham, as in every other country town, a first set and a second set—perhaps even a third, but that must be very close indeed to the unclassed tradesmen set, which is no set at all. And here it may be mentioned that the tradesmen's families are, as a rule, very much more refined and almost invariably better educated than the families of the first or second sets. Some years ago there was an amateur performance of one of Mr. Sutro's delightful plays given in aid of some
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VI.—THE CASE OF MR. STANWELL
VI.—THE CASE OF MR. STANWELL
T hat was what might be termed “a close call” upon the dignity and discrimination of the leaders of Society in Mallingham, and this was possibly why they held back when a man and his wife bearing the name Stanwell took a house in the town. The lady seemed quite nice and the man was passable, and before they had “settled down” it was noised abroad that they had a car: it need scarcely be said that to “have a car” is in country districts nowadays as sure a sign of respectability as “driving a gig”
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I.—THE MAYOR
I.—THE MAYOR
O NE OF THE PECULIARITIES OF MALLINGHAM is the Mayor, for Mallingham has a Mayor all to itself, except when, by virtue of his office, he spends a happy day on various County Benches, joining with the representatives of local county families in the administration of Petty Sessions justice—Petty Sessions justice is founded on “good Crowner's Quest law”—otherwise he is usually a very worthy man, and lays no specious claim to popularity. He is never ostentatious or self-assertive, and in spite of th
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II.—THE FIRST FAMILIES
II.—THE FIRST FAMILIES
T hat is the attitude of these good people whose names are quite unknown outside Mallingham. They are amusing through the entire lack on their part of a sense of comedy. I am inclined to think, however, that the attitude of a son of one of these First Families, in respect of an incident that came under my notice, might be more definitely described. He had been invited by a man who was in a far better social position than himself to have a day with the partridges in a shooting which he leased; th
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III.—MISS LATIMER'S MARRIAGE LINES
III.—MISS LATIMER'S MARRIAGE LINES
T here is nothing that the best set in Mallingham so resent as pretentiousness, or the semblance of pretentiousness, on the part of any one who does not belong to the best set. A few years ago a Mrs. Latimer, who lives in a delightful old house close to our village of Thurswell and is a widow, married one of her two pretty and accomplished daughters to a young man who was beginning to make a name for himself at the Bar. He had been at Uppingham and Oxford, and was altogether the sort of person b
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IV.—THE ENTERPRISE OF MALLINGHAM
IV.—THE ENTERPRISE OF MALLINGHAM
I t was a gentleman who travelled in the latest styles in soft goods who was heard to affirm that Mallingham was not a town: it was a dormitory. He doubtless spoke from the horizon line of soft goods, having in his eye certain of those firms who still do business in the concave side of ancient bay windows, and have not yet been lured on to fortnightly cheap sales behind a sheet of plate-glass. A commercial traveller takes some time to recover his selfrespect after importuning a possible client i
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I.—THE MODERN METHODS
I.—THE MODERN METHODS
T HE MILD AND BASHFUL ENTERPRISE of Mallingham is made to look ridiculous when contrasted with the unblushing business energy of Burford, that bustling town of twenty thousand inhabitants at the farther end of Nethershire. Burford lends itself as an awful example of what can be accomplished by that dynamic element known as “push.” It was born picturesque, but has since become prosperous. Its Corporation has long ago done away with all those features of interest to antiquarians which are ineradic
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II.—LIBRARIANS WHILE YOU WAIT
II.—LIBRARIANS WHILE YOU WAIT
A s a matter of course, Burford has a Public Library of its own. The Corporation had a chance of acquiring a library that had been in existence for some years: it had been built as a memorial to her husband by a wealthy lady in the neighbourhood, and it contained several thousand volumes of the “improving” sort which were so much in favour with fathers and mothers and uncles and aunts—in fact, with all manner of people except readers—fifty or sixty years ago. For purposes of a public library suc
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III.—ARCHÆOLOGICAL ENTERPRISE
III.—ARCHÆOLOGICAL ENTERPRISE
T here is quite a good Museum at Burford. It was formed, I believe, in the pre-Corporation days, and so it is under intelligent control. Local antiquities are represented with some attempt at completeness and classification, and its educational value would be very great if the people of the neighbourhood could be induced to give to it some of the time that they devote to football. A few years ago, however, an irresistible appeal was made to the culture of the town by the acquisition for the coll
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I.—THE ILLUSTRIOUS STRANGER
I.—THE ILLUSTRIOUS STRANGER
A LL THINGS ARE NOT WHAT THEY SEEM at Burford, as I have ventured to suggest. But the majority of the inhabitants think that they are. Probably at one time they were; but with the development of the spirit of modern enterprise in the town a new complexion has been put upon various features associated with the daily life of the place, so that one needs to go beneath the surface of things in general in order to find out what they really are. It was literally the new complexion put upon a very ordi
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II.—THE PRINCE'S PARADE
II.—THE PRINCE'S PARADE
A nd then suddenly a stranger of dusky complexion and wearing flowing robes and a splendid turban set with precious stones appeared on foot in the High Street. He seemed greatly interested in the place, for he kept parading the leading thoroughfare and several of its byways practically the whole of the morning, so that he could scarcely escape the notice of all the residents who were in the town; no one failed to see him or to learn that he had taken lunch at Messrs. Caterham's new restaurant. A
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I.—STARKIE AND THE STATES
I.—STARKIE AND THE STATES
I REMEMBER WITH WHAT ADROITNESS several years ago a distinguished dramatist explained to a pressing interviewer what was his intention in writing a certain play of his which was being widely discussed in many directions. It was merely to show how dangerous it was for any man to wander off the beaten track, he said: “A man must keep in line with his fellow-men if he hopes to avoid disaster”—and so forth. The explanation was no doubt accounted quite satisfactory by such persons as had been perturb
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II.—OUR FATHERS' FOOTSTEPS
II.—OUR FATHERS' FOOTSTEPS
I n the way our fathers trod”—that seems to be the proud boast of the English country towns, and I am not sure that it is not a worthy one, though its application to certain cases is certainly humorous. I remember revisiting a town where I had once lived, and getting into conversation with an elderly and well-to-do inhabitant. I mentioned having met in London a surgeon who had been born in and lived in the town. He certainly enjoyed the largest practice in London, and, in addition to the K.C.B.,
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I.—IN THE SHADOW OF THE MINSTER
I.—IN THE SHADOW OF THE MINSTER
B ROADMINSTER IS ONE OF THE LESSER cathedral towns of England. There is nothing remarkable about the Minster except its antiquity. It does not convey the idea of vastness as do some of these venerable buildings. One would never imagine oneself in the midst of a petrified forest on passing through the porch. The carving about the pillars does not suggest lacework in stone, though it is admirable in its way, and the screen shows signs of having been “restored” in the days when restoration meant sp
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II.—THE NEW PALACE
II.—THE NEW PALACE
T he Palace of the Bishop of Broadminster is not, of course, among the buildings of the Close. It stands in its own grounds about two miles away, and it bears tokens of having been built within the last quarter of a century. It did not start life as a palace, but as the country house of a business man in a bustling town. The story of how it became the Palace is a curious one. The original Palace was a big square barrack of a place, costing a great deal to keep up and giving no adequate return fo
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III.—ANTE-MORTEM GENEROSITY
III.—ANTE-MORTEM GENEROSITY
C uriously enough, there stands within view of the new Palace another house with a history attached to it which may strike some people as illustrating, with a humour that is still more grim, the inconvenience resulting from ante-mortem generosity on a large scale: post-mortem generosity may occasionally be risky, but its display on even the most lavish scale has never been known to cause any personal inconvenience to the one who indulges in it. The house is an interesting old Jacobean one, stand
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IV.—THE BLACK SHEEP
IV.—THE BLACK SHEEP
O nly the merest echo of a rumour of years ago regarding a parson who managed to creep into the Chapter when he should have been excluded survives to-day. And even this attenuated scandal would have faded away long ago if some people had not kept it alive by a story which owes its point to the use made of the shady parson's name by an old reprobate who desired to score off a worthy clergyman. The worthy clergyman had come to pay a serious parochial visit of remonstrance to the old reprobate, and
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I.—TROLLOPE'S MRS. PROUDIE
I.—TROLLOPE'S MRS. PROUDIE
N O ONE WHO HAS LIVED FOR ANY length of time in a cathedral town can fail to appreciate the perfection of Anthony Trollope's Barchester series of novels. In my opinion no more artistic achievement than the creation of Barchester and its people exists on the same scale in the English language. I do not think that there is a false note in any scene—a crude tone in any character. Certainly no writer ever dealt with the members of any profession with such completeness and without ceasing to interest
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II.—THE INNOVATORS
II.—THE INNOVATORS
T he volcanic force which caused all the alarm was a young clergyman who, by reason of his personal merits and his relationship to the Dean, became the most minor of all the canons, and probably the most pleasing. But before he had been a year in attendance it was rumoured that he had views, and no clergyman with views had ever been associated with the services at the Minster. There have been clergymen who took a lively interest in landscape photography—even colour photography—and others who had
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III.—THE PEACEMAKERS
III.—THE PEACEMAKERS
A nd yet within a couple of months the last rumble of the threatened disturbance had passed away. This is how the status quo ante bellum was restored: The offending Canon was in the habit of confiding in his supporters his feeling of sorrow that none of his clerical brethren had the manliness to follow his example and read the Lessons as they should be read: he had quite believed, he said, that in a short time the slovenly, monotonous reader would have ceased to appear at the lectern; he was gre
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IV.—THE VOX HUMANA
IV.—THE VOX HUMANA
S ome years had passed before there was another little fluttering in the Minster dovecotes; but this time the disturbing element happily did not arise within the Chapter. The fact was that at the afternoon service one Sunday a voice of extraordinary charm was heard when the first of the hymns was begun. It was the voice of a professional soprano, and one of the finest timbre beyond doubt; but it was so clear and so resonant that, to make use of the verger's criticism whispered into my ear, it ga
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V.—THE PILGRIM'S PROGRESS
V.—THE PILGRIM'S PROGRESS
I am inclined to think that the people of Broad-minster are about the best informed of all people in the county in regard to general topics. But sometimes this opinion, which so many visitors form, is not confirmed by residence in the town. In these days, when one hears that it is impossible to educate a girl as she should be educated for less than £200 a year, one expects a great deal of knowledge from girls generally. A clergyman of the town, who is not connected with the Minster, is constantl
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VI.—THE ATMOSPHERE OF THE MINSTER
VI.—THE ATMOSPHERE OF THE MINSTER
T he effect of residing for some time in such a town as Broadminster—a community on which the shadow of an ancient Minster has rested for nearly six hundred years—is noteworthy. One breathes of the atmosphere that clings about the old stonework, and, in time, one is conscious of one's ideas and aspirations becoming assimilated with the traditions of the place. On a fine morning in summer even an Irishman feels himself to be an English Conservative—a genuine Tory of the good old days when boys we
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I.—MR. BARTON'S HIGH NOTE
I.—MR. BARTON'S HIGH NOTE
T HE ARTISTIC INFLUENCES OF A CATHEDRAL with a good organist and a capable choir in any town cannot be questioned; and so it is that the concerts which take place with some frequency in Broad-minster and the neighbourhood are usually quite good. The members of the choir are always ready to sing for the many deserving objects that occur to the active minds of the organisers of amateur concerts. One of these ladies, however, made up her mind that people were getting tired of the local tenors, and
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II.—THE MUSICAL TABLEAUX
II.—THE MUSICAL TABLEAUX
S ome people have been heard to affirm that there is too much music going on at Broadminster. There may perhaps be some grounds for the assumption. At any rate, it is certain that of late few concerts contributed to solely by local talent have paid their expenses. The opinion seems to be general that when the vocalists can be heard every day of the week free of charge in the Minster, people are unwilling to pay three shillings, two shillings, or even (back seats, unreserved) one shilling for lis
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III.—THE DRAMA
III.—THE DRAMA
I t must be obvious to the least experienced that such a community as may be found in an artistic neighbourhood like Broadminster will take kindly to amateur theatricals. There are two dramatic clubs in Broadminster, and their performances are highly appreciated by the members and their friends. The rivalry between the two is quite amicable, for one set of amateurs devote themselves to the lighter forms of the drama and the other to the loftier, and perhaps they might be called without offence t
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I.—THE FRANK CANON
I.—THE FRANK CANON
I DO NOT THINK THAT, TAKING THEM all round, the Cathedral dignitaries of Broadminster can be accused of assuming a greater importance than is due to their position; but a story is told about a Canon, lately deceased, which goes far to prove that he at least did not shrink from putting forward what he believed to be a reasonable claim to distinction—relative distinction. It is said that he was in the one bookseller's shop which is still to be found in the town. It was Saturday evening, when a str
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II.—THE “CHARPSON”
II.—THE “CHARPSON”
T he only clergyman in Broadminster who, so far as I have heard, was fully qualified to take a place in one of the Barchester groups was a person named Gilliman. He was a small, stout gentleman with a comical ruddy face and sparse, bristly grizzly hair. He had no benefice, but was one of those unattached parsons who, in the phrase of the servants' registry office, was ready to “oblige” either by the day or as locum tenens for an absent incumbent. He had been left a small competence by his mother
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III.—THE BIBLE CLASS
III.—THE BIBLE CLASS
I prefaced my repetition of passages in the career of the Reverend Herbert Gilliman with an expression of my belief that he was the only cleric in Broadminster who suggested to me one of the slightly shop-soiled clergymen in Anthony Trollope's Barchester novels. Of the ladies of the Close or the ladies of the Palace I have never heard of one who, in the remotest degree, suggested a relationship with Mrs. Proudie. I have heard, however, of the recent appearance of a lady, who is said to have an i
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IV.—THE ENCYCLOPÆDIC PARSON
IV.—THE ENCYCLOPÆDIC PARSON
I t is impossible that every one should be fully informed on all points even in so enlightened a community as Broadminster; but there is one clergyman who has a reputation for being the most artful fisherman in the Close, and of being always able to answer any question that may be put to him by the most casual inquirer. I heard him discussing the origin of a fire that had taken place in the town a few days before, and, as is usual in these days, it was said to have been due to a short circuit in
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V.—THE ALMONERS
V.—THE ALMONERS
T he recognised Church charities of Broadminster are numerous and constantly increasing. To be connected in some way with a charitable organisation seems to offer an irresistible attraction to some people, chiefly ladies; and every now and again a new lady starts up in Church circles with a new scheme of compelling people to accept alms or the equivalent, or of increasing the usefulness of the Church. The amount of time these masterful persons expend in reading papers embodying the most appallin
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I.—A CONGENIAL PURSUIT
I.—A CONGENIAL PURSUIT
N O MENTION OF BURFORD WOULD BE complete unless two-thirds of the account were given over to its croquet ground and its croquet practitioners. An exhaustive, or even a perfunctory, reference to sport is out of place in any description of the lighter side of life in the provinces, for people in all levels of life take their games very seriously, and croquet, as played nowadays, is the most serious of pursuits. Clergymen who practise it habitually seek for relaxation from the strain its seriousnes
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II.—THE PLAYERS
II.—THE PLAYERS
B ut even croquet has its lighter moments. I witnessed a match some time ago between a well-set-up cavalry officer (retired with the rank of Major-General) and a cub of a lad—a slouching, hulking fellow whose gait showed that he had never had a day's athletic training. The boy won and went grinning off the lawns. His mother received him with grins, and the General walked away in the direction of the river. It occurred to me that people should keep an eye upon him. But he did not even fling his m
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I.—THE ARTISTIC OUTLOOK
I.—THE ARTISTIC OUTLOOK
A GOOD MANY PEOPLE ARE OF THE opinion that Art and the appreciation of Art are making considerable progress in this country, but others are inclined to be despondent on this subject; and among the most despondent is an estimable clergyman of a parish some miles from Broadminster. He told me that he was confirmed in his pessimism by observing the popularity of the imitation half-timbered, red-brick cottages which country architects are running up by the hundred in every direction. “The foundation
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II.—ART AND THE SHERIFF
II.—ART AND THE SHERIFF
B ut before the end of the summer an opportunity was given to connoisseurs in the same town to acquire, at the expenditure of a few pounds, a collection of pictures that would do credit to any private gallery in the kingdom. Announcements appeared placarded on every dead wall that “by order of the Sheriff” a magnificent collection of paintings by Turner, Reynolds, Gainsborough, Lawrence, George Morland, David Cox, and numerous other Masters, as well as drawings by Birket Foster, Keeley Hallswell
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III.—THE COUNTRY PICTURE SALE
III.—THE COUNTRY PICTURE SALE
I was once present at a picture sale in a mansion some miles from a country town in which I lived. There were, I think, three full-length Gainsboroughs, five Reynoldses, a few Hoppners, two by Peters, and three or four by Northcote. I was standing in front of a man by the first-named painter, and was lost in admiration of the firm way in which the figure was placed on the floor in the picture, when a local dealer approached me, saying— “Might I have a word with you, sir?” Of course I told him to
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IV.—HUMOURS OF THE ROSTRUM
IV.—HUMOURS OF THE ROSTRUM
T he humours of the auction-room deserve to be dealt with more fully than is in my power to treat them. Though an auctioneer's fun is sometimes a little forced, its aim being to keep his visitors in a good temper with him—for he knows that every time that he knocks something down to one person he hurts the feelings of the runner-up—still, now and again, something occurs to call for a witty comment, and occasionally a ludicrous incident may brighten up the monotonous reiteration of slowly increas
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V. THE ARTFUL AND GOLDSTEIN
V. THE ARTFUL AND GOLDSTEIN
U pon another occasion, in the same town, there was a dealer's sale at an auction mart, and it went off pretty well, though naturally a good many lots remained undisposed of at the close, for on every article there was a reserve price representing the profit to accrue to the vendor, with the auctioneer's usual ten per cent. One of the unsold pictures had attracted the attention of a gentleman who had bid as far as twelve pounds for it, and when the sale was over he remained in the mart waiting t
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VI.—TRICKS AND TRICKS
VI.—TRICKS AND TRICKS
I have heard it debated with great seriousness whether a fine art dealer in a commercial town, where the finer arts are neglected, is not entitled to resort to a method of disposing of his goods which some people might be disposed to term trickery. Personally, I think any form of trickery having money for its object is indefensible. But there are tricks and tricks, and what will be chuckled over by some businessmen as “a good stroke of business” may, if submitted to a jury, be pronounced a fraud
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