The Art Of War In The Middle Ages A.D. 378-1515
Charles Oman
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THE ART OF WAR IN THE MIDDLE AGES
THE ART OF WAR IN THE MIDDLE AGES
Oxford PRINTED BY HORACE HART, PRINTER TO THE UNIVERSITY THE ART OF WAR IN THE MIDDLE AGES A.D. 378–1515 BY C. W. C. OMAN, B.A. FELLOW OF ALL SOULS COLLEGE WITH MAPS AND PLANS OXFORD B. H. BLACKWELL, 50 BROAD STREET LONDON T. FISHER UNWIN, 26 PATERNOSTER SQUARE 1885 [ All rights reserved ] The Author desires to acknowledge much kind help received in the revision and correction of this Essay from the Rev. H. B. George, of New College, and Mr. F. York Powell, of Christ Church....
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INTRODUCTION.
INTRODUCTION.
The Art of War has been very simply defined as ‘the art which enables any commander to worst the forces opposed to him.’ It is therefore conversant with an enormous variety of subjects: Strategy and Tactics are but two of the more important of its branches. Besides dealing with discipline, organization, and armament, it is bound to investigate every means which can be adapted to increase the physical or moral efficiency of an army. The author who opened his work with a dissertation on ‘the age w
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I. The Transition from Roman to Mediæval Forms in War. A.D. 378–582.
I. The Transition from Roman to Mediæval Forms in War. A.D. 378–582.
[From the battle of Adrianople to the Accession of Maurice.] Between the middle of the fourth and the end of the sixth century lies a period of transition in military history, an epoch of transformations as strange and as complete as those contemporary changes which turned into a new channel the course of political history and civilisation in Europe. In war, as in all else, the institutions of the ancient world are seen to pass away, and a new order of things develops itself. Numerous and striki
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II. The Early Middle Ages. A.D. 476–1066–81.
II. The Early Middle Ages. A.D. 476–1066–81.
[From the Fall of the Western Empire to the Battles of Hastings and Durazzo.] The Franks, Anglo-Saxons, Scandinavians, etc. In leaving the discussion of the military art of the later Romans in order to investigate that of the nations of Northern and Western Europe, we are stepping from a region of comparative light into one of doubt and obscurity. The data which in the history of the empire may occasionally seem scanty and insufficient are in the history of the Teutonic races often entirely want
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(1) Character of Byzantine Strategy.
(1) Character of Byzantine Strategy.
Alike in composition and in organization, the army which for 500 years held back Slav and Saracen from the frontier of the Eastern Empire, differed from the troops whose name and traditions it inherited. To the ‘Palatine’ and ‘Limitary’ ‘numeri’ of Constantine it bore as little likeness as to the legions of Trajan. Yet in one respect at least it resembled both those forces: it was in its day the most efficient military body in the world. The men of the lower Empire have received scant justice at
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(2) Arms, Organization and Tactics of the Byzantine Armies.
(2) Arms, Organization and Tactics of the Byzantine Armies.
The Byzantine army may be said to owe its peculiar form to the Emperor Maurice, a prince whose reign is one of the chief landmarks in the history of the lower empire 47 . The fortunate preservation of his ‘Stratêgikon’ suffices to show us that the reorganization of the troops of the East was mainly due to him. Contemporary historians also mention his reforms, but without descending to details, and inform us that, though destined to endure, they won him much unpopularity among the soldiery. Later
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IV. The Supremacy of Feudal Cavalry. A.D. 1066–1346.
IV. The Supremacy of Feudal Cavalry. A.D. 1066–1346.
[From the battle of Hastings to the battles of Morgarten and Cressy.] Between the last struggles of the infantry of the Anglo-Dane, and the rise of the pikemen and bowmen of the fourteenth century lies the period of the supremacy of the mail-clad feudal horseman. The epoch is, as far as strategy and tactics are concerned, one of almost complete stagnation: only in the single branch of ‘Poliorcetics’ does the art of war make any appreciable progress. The feudal organization of society made every
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(1) Their Character, Arms, and Organization.
(1) Their Character, Arms, and Organization.
In the fourteenth century infantry, after a thousand years of depression and neglect, at last regained its due share of military importance. Almost simultaneously there appeared two peoples asserting a mastery in European politics by the efficiency of their foot-soldiery. Their manners of fighting were as different as their national character and geographical position, but although they never met either in peace or war, they were practically allied for the destruction of feudal chivalry. The kni
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(2) Tactics and Strategy.
(2) Tactics and Strategy.
The character and organization of the Confederate army were exceedingly unfavourable to the rise of great generals. The soldier rested his hope of success rather on an entire confidence in the fighting power of himself and his comrades, than on the skill of his commander. Troops who have proved in a hundred fields their ability to bear up against the most overwhelming odds, are comparatively indifferent as to the personality of their leader. If he is competent they work out his plan with success
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(3) Development of Swiss Military Supremacy.
(3) Development of Swiss Military Supremacy.
The first victory of the Confederates was won, not by the tactics which afterwards rendered them famous, but by a judicious choice of a battlefield. Morgarten was a fearful example of the normal uselessness of feudal cavalry in a mountainous country. On a frosty November day, when the roads were like ice underfoot, Leopold of Austria thrust his long narrow column into the defiles leading to the valley of Schwytz. In front rode the knights, who had of course claimed the honour of opening the cont
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(4) Causes of the Decline of Swiss Ascendency.
(4) Causes of the Decline of Swiss Ascendency.
Their disregard for the higher and more delicate problems of military science, was destined to enfeeble the power and destroy the reputation of the Confederates. At a time when the great struggle in Italy was serving as a school for the soldiery of other European nations, they alone refused to learn. Broad theories, drawn from the newly-discovered works of the ancients, were being co-ordinated with the modern experience of professional officers, and were developing into an art of war far superio
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VI. The English and their Enemies. A.D. 1272–1485.
VI. The English and their Enemies. A.D. 1272–1485.
[From the accession of Edward I to the end of the Wars of the Roses.] The use of the long-bow is as much the key to the successes of the English armies in the fourteenth and fifteenth centuries, as that of the pike is to the successes of the Swiss. Dissimilar as were the characters of the two weapons, and the national tactics to which their use led, they were both employed for the same end of terminating the ascendancy in war of the mailed horseman of the feudal régime . It is certainly not the
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VII. Conclusion.
VII. Conclusion.
We have now discussed at length the two systems of tactics which played the chief part in revolutionising the Art of War in Europe. The one has been traced from Morgarten to Bicocca, the other from Falkirk to Formigny, and it has been shown how the ascendancy of each was at last checked by the development of new forms of military efficiency among those against whom it was directed. While ascribing to the pikemen of Switzerland and the English archery the chief part in the overthrow of feudal cav
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