The White Moll
Frank L. (Frank Lucius) Packard
21 chapters
11 hour read
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21 chapters
I. NIGHT IN THE UNDERWORLD
I. NIGHT IN THE UNDERWORLD
It was like some shadowy pantomime: The dark mouth of an alleyway thrown into murky relief by the rays of a distant street lamp...the swift, forward leap of a skulking figure...a girl's form swaying and struggling in the man's embrace. Then, a pantomime no longer, there came a half threatening, half triumphant oath; and then the girl's voice, quiet, strangely contained, almost imperious: “Now, give me back that purse, please. Instantly!” The man, already retreating into the alleyway, paused to f
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II. SEVEN—THREE—NINE
II. SEVEN—THREE—NINE
For a moment neither spoke, then Gypsy Nan broke the silence with a bitter laugh. She threw back the bedclothes, and, gripping at the edge of the bed, sat up. “The White Moll!” The words rattled in her throat. A fleck of blood showed on her lips. “Well, you know now! You're going to help me, aren't you? I—I've got to get out of here—get to a hospital.” Rhoda Gray laid her hands firmly on the other's shoulders. “Get back into bed,” she said steadily. “Do you want to make yourself worse? You'll ki
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III. ALIAS GYPSY NAN
III. ALIAS GYPSY NAN
Rhoda Gray went slowly from the room. In a curiously stunned sort of way she reached the street, and for a few blocks walked along scarcely conscious of the direction she was taking. Her mind was in turmoil. The night seemed to have been one of harrowing hallucination; it seemed as though it were utterly unreal, like one dreaming that one is dreaming. And then, suddenly, she looked at her watch, and the straight little shoulders squared resolutely back. The hallucination, if she chose to call it
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IV. THE ADVENTURER
IV. THE ADVENTURER
Twenty-Four hours had passed. Twenty four hours! Was it no more than that since—Rhoda Gray, in the guise of Gypsy Nan, as she sat on the edge of the disreputable, poverty-stricken cot, grew suddenly tense, holding her breath as she listened. The sound reached the attic so faintly that it might be but the product solely of the imagination. No—it came again! And it even defined itself now—a stealthy footstep on the lower stairs. A small, leather-bound notebook, in which she had been engrossed, was
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V. A SECOND VISITOR
V. A SECOND VISITOR
Mechanically Rhoda Gray thrust the paper into the pocket of her skirt. The door swung open. A tall man, well dressed, as far as could be seen in the uncertain light, a slouch hat pulled far down over his eyes, stood on the threshold, surveying the interior of the garret. The Adventurer rose composedly to his feet—and moved slightly back out of the direct radius of the candlelight. There was silence for a moment, and then the man in the doorway laughed unpleasantly. “Hello!” he flung out harshly.
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VI. THE RENDEZVOUS
VI. THE RENDEZVOUS
Rhoda Gray's movements were a little unsteady as she stepped out on the sidewalk. Gypsy Nan's accepted inebriety was not without its compensation. It enabled her, as she swayed for a moment, to scrutinize the street in all directions. Were any of Rough Rorke's men watching the house? She did not know; she only knew that as far as she had been able to discover, she had not been followed when she had gone out that afternoon. Up the street, to her right, there were a few pedestrians; to her left, a
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VII. FELLOW THIEVES
VII. FELLOW THIEVES
Reaching the courtyard, Rhoda Gray led the way without a word through the driveway, and finding the street clear, hurried on rapidly. Her mind, strangely stimulated, was working in quick, incisive flashes. Her work was not yet done. The Sparrow was safe, as far as his life was concerned; but her possession of even the necklace would not save the Sparrow from the law. There was the money that was gone from the safe. She could not recover that, but—yes, dimly, she began to see a way. She swerved s
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VIII. THE CODE MESSAGE
VIII. THE CODE MESSAGE
It was strange! Most strange! Three days had passed, and to Gypsy Nan's lodging no one had come. The small crack under the partition that had been impressed into service as a letter-box had remained empty. There had been no messages—nothing—only a sinister, brooding isolation. Since the night Rhoda Gray had left Danglar, balked, almost a madman in his fury, in the little room over Shluker's junk shop, Danglar had not been seen—nor the Adventurer—nor even Rough Rorke. Her only visitant since then
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IX. ROOM NUMBER ELEVEN
IX. ROOM NUMBER ELEVEN
Another five minutes, and in her own personality now, a slim, trim figure, neatly gloved, the heavy veil affording ample protection to her features, Rhoda Gray emerged from the shed and the lane, and started rapidly toward lower Sixth Avenue. And as she walked, her mind, released for the moment from the consideration of her immediate venture, began again, as it had so many times in the last three days, its striving and its searching after some loophole of escape from her own desperate situation.
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X. ON THE BRINK
X. ON THE BRINK
Rhoda Gray moved quietly, inch by inch, along the side of the wall to gain a point of vantage more nearly opposite the lighted doorway. And then she stopped again. She could see quite clearly now—that is, there was nothing now to obstruct her view; but the light was miserable and poor, and the single gas-jet that wheezed and flickered did little more than disperse the shadows from its immediate neighborhood in that inner room. But she could see enough—she could see the bent and ill-clad figure o
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XI. SOME OF THE LESSER BREED
XI. SOME OF THE LESSER BREED
Danglar's wife! It had been a night of horror; a night without sleep; a night, after the guttering candle had gone out, when the blackness of the garret possessed added terrors created by an imagination which ran riot, and which she could not control. She could have fled from it, screaming in panic-stricken hysteria—but there had been no other place as safe as that was. Safe! The word seemed to reach the uttermost depths of irony. Safe! Well, it was true, wasn't it? She had not wanted to return
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XII. CROOKS Vs. CROOKS
XII. CROOKS Vs. CROOKS
It was not far. Shluker, hastening along, still muttering to himself, turned into a cross street some two blocks away, and from there again into a lane; and, a moment later, led the way through a small door in the fence that hung, battered and half open, on sagging and broken hinges. Rhoda Gray's eyes traveled sharply around her in all directions. It was still light enough to see fairly well, and she might at some future time find the bearings she took now to be of inestimable worth. Not that th
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XIII. THE DOOR ACROSS THE HALL
XIII. THE DOOR ACROSS THE HALL
It was many blocks away before calmness came again to Rhoda Gray, and before it seemed, even, that her brain would resume its normal functions; but with the numbed horror once gone, there came in its place, like some surging tide, a fierce virility that would not be denied. The money! The old couple on that doorstep, stripped of their all! Wasn't that one reason why she had gone on with Pinkie Bonn and the Pug? Hadn't she seen a way, or at least a chance, to get that money back? Rhoda Gray looke
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XIV. THE LAME MAN
XIV. THE LAME MAN
Another night—another day! And the night again had been without rest, lest Danglar's dreaded footstep come upon her unawares; and the day again had been one of restless, abortive activity, now prowling the streets as Gypsy Nan, now returning to the garret to fling herself upon the cot in the hope that in daylight, when she might risk it, sleep would come, but it had been without avail, for, in spite of physical weariness, it seemed to Rhoda Gray as though her tortured mind would never let her sl
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XV. IN THE COUNCIL CHAMBER
XV. IN THE COUNCIL CHAMBER
The man with the withered hand had passed through into the other room. She heard them talking together, as she followed. She forced herself to walk with as nearly a leisurely defiant air as she could. The last time she had been with Danglar—as Gypsy Nan—she had, in self-protection, forbidding intimacy, played up what he called her “grouch” at his neglect of her. She paused in the doorway. Halfway across the room, at the table, Danglar's gaunt, swarthy face showed under the rays of a shaded oil l
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XVI. THE SECRET PANEL
XVI. THE SECRET PANEL
Rhoda Gray hurried onward, back toward the garret, her mind in riot and dismay. It was not only the beginning of the end; it was very near the end! What was she to do? The Silver Sphinx—at eleven! That was the end—after eleven—wasn't it? She could impersonate Gypsy Nan; she could not, if she would, impersonate the woman who was dead! And then, too, there were the stolen jewels at old Jake Luertz's! She could not turn to the police for help there, because then the Pug might fall into their hands,
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XVII. THE SILVER SPHINX
XVII. THE SILVER SPHINX
A Bedlam of noise smote Rhoda Gray's ears as she entered the Silver Sphinx. A jazz band was in full swing; on the polished section of the floor in the center, a packed mass of humanity swirled and gyrated and wriggled in the contortions of the “latest” dance, and laughed and howled immoderately; and around the sides of the room, the waiters rushed this way and that amongst the crowded tables, mopping at their faces with their aprons. It seemed as though confusion itself held sway! Rhoda Gray sca
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XVIII. THE OLD SHED
XVIII. THE OLD SHED
Rhoda Gray opened her eyes, and, from the cot upon which she lay, stared with drowsy curiosity around the garret—and in another instant was sitting bolt upright, alert and tense, as the full flood of memory swept upon her. There was still a meager light creeping in through the small, grimy window panes, but it was the light of waning day. She must have slept, then, all through the morning and the afternoon, slept the dead, heavy sleep of exhaustion from the moment she had flung herself down here
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XIX. DREAD UPON THE WATERS
XIX. DREAD UPON THE WATERS
For a moment after Danglar had gone, Rhoda Gray stood motionless; and then, the necessity for instant action upon her, she moved quickly toward the doorway herself. There was only one thing she could do, just one; but she must be sure first that Danglar was well started on his way. She reached the doorway, looked out—and suddenly caught her breath in a low, quick inhalation, In the semi-darkness she could just make out Danglar's form, perhaps twenty-five yards away now, heading along the lane to
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XX. A LONE HAND
XX. A LONE HAND
And now Rhoda Gray was in the radius of the arc lamp, and distinctly visible to any one coming down the yard. How near were they? Yes, she saw them now—three forms-perhaps a little more than a hundred yards away. She moved a few steps deliberately toward them, as though quite unconscious of their presence; and then, as a shout from one of them announced that she was seen, she halted, hesitated as though surprised, terrified and uncertain, and, as they sprang forward, she turned and ran—making fo
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It was the Adventurer who spoke first.
It was the Adventurer who spoke first.
“Both of you! What charming luck!” he murmured whimsically. “You'll forgive the intrusion won't you? A friend of mine, the Sparrow by name—I think you are acquainted with him, Danglar—was good enough to open the door for me, and lock it again on the outside. You see, I didn't wish to cause you any alarm through a premature suspicion that you might have a guest!” His voice hardened suddenly as he rose from the cot, and, though he limped badly, stepped quickly toward them. “Don't move, Danglar—or
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