The Presentation of Ani to Osiris From the Papyrus of Ani Reproduced from the Facsimile by Permission of the Director of the British Museum In this volume the religious history of ancient Egypt has been reviewed in the light of the science of modern mythology. Few Egyptologists are well informed regarding the basic laws of that science, and much misapprehension regarding the character and attributes of many of the deities worshipped in the Nile Valley in times past has thereby resulted. The stat

The group of beliefs which constituted what for convenience' sake is called the Egyptian religion in an existence of some thousands of years passed through nearly every phase known to the student of comparative mythology. If the theologians of ancient Egypt found it impossible to form a pantheon of deities with any hope of consistency, assigning to each god or goddess his or her proper position in the divine galaxy as ruling over a definite sphere, cosmic or psychical, it may be asked in what ma

The River Nile is the element which creates the special characteristics of Egypt, and differentiates it from other parts of the Sahara Desert. At its annual overflow this river deposits a rich sediment, which makes the fertile plains on either side such a contrast to the brown monotony of the desert. East and west of the Nile valley stretch great wastes, broken here and there by green oases, and the general scenery is too uniform to be interesting, the Delta itself presenting a richly cultivated

The power and condition of the Egyptian priesthood varied greatly with the passing of the centuries. It was in all likelihood at all times independent of the royal power, and indeed there were periods in Egyptian history when the sway of the Pharaohs was seriously endangered, or altogether eclipsed, by the ecclesiastical party. Vast grants of land had enriched the hundreds of temples which crowded the Egyptian land, and these gave employment to a veritable army of dependents and officials. Under

One of the principal figures in the Egyptian pantheon, and one whose elements it is most difficult to disentangle, is Osiris, or As-ar. The oldest and most simple form of the name is expressed by two hieroglyphics representing a throne and an eye. These, however, cast but little light on the meaning of the name. Even the later Egyptians themselves were ignorant of its derivation, for we find that they thought it meant 'the Strength of the Eye'—that is, the strength of the sun-god, Ra. The second

Ra, the great god of the sun, appears to have occupied a prominent position in the Egyptian pantheon at a very early period. The Egyptians of later days appear to have thought that the name was in some way associated with creation. Sun-worship in Egypt was very ancient, and it is probable that a number of sun-cults became fused in that of Ra. It is certain, indeed, that this was the case with the cult of the hawk-god Heru or Horus. Both of these deities are usually figured with the body of a man

The earliest knowledge we have of the Egyptian language is furnished by ancient inscriptions belonging to the First Dynasty, about 3300 B.C. From these onward its rise and its decay may be traced down through the different writings on temples, monuments, and papyri to the fourteenth century A.D., [1] when Coptic manuscripts end the tale. Of the living tongue, as apart from the purely literary language of the hieroglyphic inscriptions, the truest idea is given by the popular tales, letters, and b

To the peoples of antiquity Egypt appeared as the very mother of magic. In the mysterious Nile country they found a magical system much more highly developed than any within their native knowledge, and the cult of the dead, with which Egyptian religion was so strongly identified, appeared to the foreigner to savour of magical practice. If the materials of the magical papyri be omitted, the accounts which we possess of Egyptian magic are almost wholly foreign, so that it is wiser to derive our da

The attitude of the Egyptians as a nation toward 'other gods' seems to have been singularly free from any bigotry for their native deities, though of course the priesthood, of necessity, were more jealous and conservative in this respect. But the middle and lower classes adopted foreign gods freely, and in time the widespread belief in certain of these compelled official recognition and consequent inclusion in the Egyptian pantheon. Various reasons for this lack of exclusiveness are quite appare

The output of the great Egyptian masters of the graphic arts has virtually no counterpart, and, bold as this statement may appear at first sight, it will be found to withstand tolerably close scrutiny. Looking at some of the incomparable embroideries of bygone Persia, studying the divine porcelain of mediæval China, or turning over woodcuts by the great Japanese artists of the Ukiyoé school—men like Hokusai and Utamaro, Hiroshige, Yeizan and Toyokuni—we no doubt feel ourselves in touch with some