Storyology: Essays In Folk-Lore, Sea-Lore, And Plant-Lore
Benjamin Taylor
15 chapters
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15 chapters
PREFACE.
PREFACE.
The principal object of this Foreword is to inform the expert Folkloreist and the case-hardened Mythologist (comparative or otherwise) that the following pages are intended for those who, being neither expert nor case-hardened, come under that gracious and catholic term—general reader. The writer addresses not the scholiast, but the ordinary person who likes to read about what he has not time to study. Some portion of what is here printed has appeared in a once popular magazine now defunct. The
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CHAPTER I.
CHAPTER I.
What is a myth? According to Webster, it is 'a fabulous or imaginary statement or narrative conveying an important truth, generally of a moral or religious nature: an allegory, religious or historical, of spontaneous growth and popular origin, generally involving some supernatural or superhuman claim or power; a tale of some extraordinary personage or country that has been gradually formed by, or has grown out of, the admiration and veneration of successive generations.' Here is a choice of thre
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CHAPTER II.
CHAPTER II.
It is sufficiently remarkable that the rod, besides being an emblem of authority, is also an instrument of the supernatural. An indispensable instrument, one may say; for was ever a magician depicted in book, in picture, or in the mind's eye, without a wand? Does even the most amateurish of prestidigitateurs attempt to emulate the performances of the once famous Wizard of the North, without the aid of the magic staff? The magician, necromancer, soothsayer, or conjurer, is as useless without his
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CHAPTER III.
CHAPTER III.
There is an old superstition, current, probably, in most parts of the country, that the breaking of a mirror will be followed by bad luck—usually a death in the family. This is, doubtless, the survival of a still older superstition—the belief in certain magic qualities of the mirror, which enabled it in certain circumstances to reflect the distant and to forecast the future. Nor was this superstition so childish as were some other popular delusions of old, for it had a certain philosophic basis.
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CHAPTER IV.
CHAPTER IV.
Certainly since, and probably long before, Job 'beheld the moon walking in brightness,' all the peoples of the earth have surrounded that luminary with legends, with traditions, with myths, and with superstitions of various kinds. In our time, and in our own country, the sentiment with which the orb of night is regarded is a soft and pleasing one, for is supposed to look with approval upon happy lovers, and with sympathy upon those who are encountering the proverbial rough places in the course o
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CHAPTER V.
CHAPTER V.
So much legendary lore and so many strange fables have had their origin in the mandrake, or the 'Devil's Candle,' as the Arabians call it, that it is worth while to endeavour to trace if any, and what, analogy there be between it and the mandragoras of the Greeks and the Soma of the Indian mythology. The mandrake is so called from the German Mandragen , 'resembling man'—at least, so says Mr. Thiselton-Dyer; but this derivation is not quite satisfactory. The botanical name is Mandragora officinal
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CHAPTER VI.
CHAPTER VI.
One of the oldest superstitions connected with the sea is undoubtedly that which associated peril with the malefic influence of some individual on shipboard. We find it in the case of the seamen of Joppa, who, when overtaken by a 'mighty tempest' on the voyage to Tarshish, said to each other, 'Come and let us cast lots, that we may know for whose cause this evil is cast upon us.' The lot, as we know, fell upon Jonah, and after some vain wrestling with the inevitable, the men at last 'took up Jon
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CHAPTER VII.
CHAPTER VII.
Who was Mother Carey the appearance of whose 'chickens' is supposed by the mariner to foretell a coming storm? This question is often asked, but seldom answered, and so a little light on the subject is desirable. Charles Kingsley gives a very vivid picture of her. In his charming book about The Water-Babies, he tells how little Tom, in search of his old master, Grimes, is instructed to find his way to Peacepool and Mother Carey's Haven, where the good whales go when they die. On his way he meets
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CHAPTER VIII.
CHAPTER VIII.
This expression of what may be called nautical slang has now become almost classic. At all events, everybody knows it; and most people may be presumed to know that to 'go to Davy Jones's Locker' is equivalent to 'losing the number of your mess,' or, as the Californian miners say, 'passing in your checks.' Being especially a sea-phrase, it means, of course, to be drowned. But how did the phrase originate? And who was Davy Jones? These questions must have frequently occurred to many, and it is wor
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CHAPTER IX.
CHAPTER IX.
That the lily should symbolize purity seems appropriate enough, but why should parsley in olden times have been associated with death? It is recorded that a few bundles of parsley once threw a whole Greek army into panic, because in Greece the tombs of the dead were strewn with the herb. With them 'to be in need of parsley' was equivalent to being beyond hope. The name itself offers little explanation of this superstition, for it is derived from the Latin petroselinum , which, again, was taken f
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CHAPTER X.
CHAPTER X.
'Doth not Rosemary and Romeo both begin with a letter?' asks Juliet's nurse. Yes, but what did she mean by the query, and by the further remark that 'Juliet hath the prettiest sententions of it, of you and rosemary, that it would do you good to hear it'? For answer we must make some search into the beliefs and customs of the past. Rosemary is the 'Ros-marinus' of the old herbalists, but it is not a native of Britain, and there is no exact record of when it was introduced here from the South of E
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CHAPTER XI.
CHAPTER XI.
Why did Ophelia say: 'There's rue for you, and here's some for me; we may call it herb grace o' Sundays, for you must wear your rue with a difference'? For the same reason that Perdita says, in The Winter's Tale, when welcoming the guests of her reputed father and the shepherd:   Remembrance, as we have already seen in the last chapter, was symbolized by the rosemary, and by both Ophelia and Perdita the rue is taken as the symbol of grace. How this came to be is what we have now to consider; but
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CHAPTER XII.
CHAPTER XII.
There used to be a popular acrostic the foundation of which is the subject of much speculation. It turned upon two lines of Scott's famous poem, and ran thus: The answer is 'Onion,' and the speculation which results is: Why does a raw onion make the eyes water? The Greeks, being aware of this characteristic, called the onion kromuon ; and when they ate it raw, they prudently closed their eyes. Shakespeare's players in the Taming of the Shrew knew all about it:   So did Lafeu: So also did Domitiu
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CHAPTER XIII.
CHAPTER XIII.
The planting of a tuber by Clusius, in 1588, in the Botanical Gardens at Vienna, is often referred to as the introduction of the potato into Europe. As a matter of fact, however, this was not the first planting, for the Spaniards brought the real potato— Solanum tuberosum —home to Spain about 1580. From Spain it extended to Italy, and became at once a common article of food there. From Spain it also extended to Belgium, and was cultivated there; and it was from a Belgian that Clusius got the roo
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CHAPTER XIV.
CHAPTER XIV.
Where is it? 'At Charing Cross, of course,' says the self-assured Londoner; and in one sense he may not be far wrong. 'At Boston,' says the cultured inhabitant of the 'hub' of the universe. 'Wherever I am,' says the autocrat who essays to sway the destinies of nations. Well, we all know the story of the Head of the Table, and even if we did not know it, instinct would tell us where to look. But the centre of the world, in an actual, physical, racial, and mundanely comprehensive sense—where is it
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