Most people in this world seem to live “in character”; they have a beginning, a middle and an end, and the three are congruous one with another and true to the rules of their type. You can speak of them as being of this sort of people or that. They are, as theatrical people say, no more (and no less) than “character actors.” They have a class, they have a place, they know what is becoming in them and what is due to them, and their proper size of tombstone tells at last how properly they have pla

When I was thus banished from Bladesover House, as it was then thought for good and all, I was sent by my mother in a vindictive spirit, first to her cousin Nicodemus Frapp, and then, as a fully indentured apprentice, to my uncle Ponderevo. I ran away from the care of my cousin Nicodemus back to Bladesover House. My cousin Nicodemus Frapp was a baker in a back street—a slum rather—just off that miserable narrow mean high road that threads those exquisite beads, Rochester and Chatham. He was, I m

So far as I can remember now, except for that one emotional phase by the graveside, I passed through all these experiences rather callously. I had already, with the facility of youth, changed my world, ceased to think at all of the old school routine and put Bladesover aside for digestion at a latter stage. I took up my new world in Wimblehurst with the chemist’s shop as its hub, set to work at Latin and materia medica, and concentrated upon the present with all my heart. Wimblehurst is an excep

I came to live in London, as I shall tell you, when I was nearly twenty-two. Wimblehurst dwindles in perspective, is now in this book a little place far off, Bladesover no more than a small pinkish speck of frontage among the distant Kentish hills; the scene broadens out, becomes multitudinous and limitless, full of the sense of vast irrelevant movement. I do not remember my second coming to London as I do my first, for my early impressions, save that an October memory of softened amber sunshine

Throughout my student days I had not seen my uncle. I refrained from going to him in spite of an occasional regret that in this way I estranged myself from my aunt Susan, and I maintained a sulky attitude of mind towards him. And I don’t think that once in all that time I gave a thought to that mystic word of his that was to alter all the world for us. Yet I had not altogether forgotten it. It was with a touch of memory, dim transient perplexity if no more—why did this thing seem in some way per

So I made my peace with my uncle, and we set out upon this bright enterprise of selling slightly injurious rubbish at one-and-three-halfpence and two-and-nine a bottle, including the Government stamp. We made Tono-Bungay hum! It brought us wealth, influence, respect, the confidence of endless people. All that my uncle promised me proved truth and understatement; Tono-Bungay carried me to freedoms and powers that no life of scientific research, no passionate service of humanity could ever have gi

As I look back on those days in which we built up the great Tono-Bungay property out of human hope and credit for bottles and rent and printing, I see my life as it were arranged in two parallel columns of unequal width, a wider, more diffused, eventful and various one which continually broadens out, the business side of my life, and a narrow, darker and darkling one shot ever and again with a gleam of happiness, my home-life with Marion. For, of course, I married Marion. I didn’t, as a matter o

But now that I resume the main line of my story it may be well to describe the personal appearance of my uncle as I remember him during those magnificent years that followed his passage from trade to finance. The little man plumped up very considerably during the creation of the Tono-Bungay property, but with the increasing excitements that followed that first flotation came dyspepsia and a certain flabbiness and falling away. His abdomen—if the reader will pardon my taking his features in the o

So far my history of my aunt and uncle has dealt chiefly with his industrial and financial exploits. But side by side with that history of inflation from the infinitesimal to the immense is another development, the change year by year from the shabby impecuniosity of the Camden Town lodging to the lavish munificence of the Crest Hill marble staircase and my aunt’s golden bed, the bed that was facsimiled from Fontainebleau. And the odd thing is that as I come to this nearer part of my story I fin

For nearly all the time that my uncle was incubating and hatching Crest Hill I was busy in a little transverse valley between that great beginning and Lady Grove with more and more costly and ambitious experiments in aerial navigation. This work was indeed the main substance of my life through all the great time of the Tono-Bungay symphony. I have told already how I came to devote myself to this system of inquiries, how in a sort of disgust with the common adventure of life I took up the dropped

“We got to make a fight for it,” said my uncle. “We got to face the music!” I remember that even at the sight of him I had a sense of impending calamity. He sat under the electric light with the shadow of his hair making bars down his face. He looked shrunken, and as though his skin had suddenly got loose and yellow. The decorations of the room seemed to have lost freshness, and outside the blinds were up—there was not so much fog as a dun darkness. One saw the dingy outlines of the chimneys opp

That evening I talked with my uncle in the Hardingham for the last time. The atmosphere of the place had altered quite shockingly. Instead of the crowd of importunate courtiers there were just half a dozen uninviting men, journalists waiting for an interview. Ropper the big commissionaire was still there, but now indeed he was defending my uncle from something more than time-wasting intrusions. I found the little man alone in the inner office pretending to work, but really brooding. He was looki

When I came back I found that my share in the escape and death of my uncle had made me for a time a notorious and even popular character. For two weeks I was kept in London “facing the music,” as he would have said, and making things easy for my aunt, and I still marvel at the consideration with which the world treated me. For now it was open and manifest that I and my uncle were no more than specimens of a modern species of brigand, wasting the savings of the public out of the sheer wantonness

I have tried throughout all this story to tell things as they happened to me. In the beginning—the sheets are still here on the table, grimy and dogs-eared and old-looking—I said I wanted to tell myself and the world in which I found myself, and I have done my best. But whether I have succeeded I cannot imagine. All this writing is grey now and dead and trite and unmeaning to me; some of it I know by heart. I am the last person to judge it. As I turn over the big pile of manuscript before me cer